An ambitious collection whose relatable characters are too often obscured by a remote style.

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CHILDREN OF THE NIGHT

STORIES

Lost souls struggle to establish human connection in these short stories from Casimir (Many Happy Returns, 2017).

Casimir’s protagonists are adrift, many of them surviving on the edges of society, grieving. The book’s finale, its only sci-fi entry, epitomizes Casimir’s thematic interests: a nurse addicted to a futuristic memory-aiding device that keeps her sleepwalking through the night crosses paths with a lonely man hired to sabotage her clinic. Several stories prominently feature imagery of dollar bills passed to and from limos: Characters understand that money, class, and race profoundly shape their lives. The collection’s best two stories, “I Love You, Joe” and “Phantom Power,” both star characters navigating a strange new land. In one, whip-smart teenager Joe butts heads with teachers at his new school, where he’s the only black kid in his AP classes. Joe and his mother mourn the loss of his father and their old life back in Detroit. He eventually decides that getting into a prestigious college will fix things but starts to have doubts after realizing how clueless the adults in his life really are. In the other, a mob wife flees her husband and forges a new identity but never forgets that all things are temporary. Too often, these tales spend more time ruminating on the nature of relationships than developing the flesh and bones of those involved in them. In “Marvin’s Dilemma,” a man longs for his lost lover by remembering his mysterious scent, yet the lover himself remains an abstract figure. It’s no coincidence that “I Love You, Joe,” the collection’s standout, is also its only first-person piece. A far less self-consciously “writerly” style means that Joe’s relationships, challenges, and intelligence shine. Contrast Joe’s observation that his new home contains “Appliances that were solid and working and rusted out but only at the bottom, so you had to kneel and use a flashlight to tell,” with the line from title story “Children of the Night”: “Hard and distant, the full moon floats like glass in the pines, making tight circles of the black needles in the trees.”

An ambitious collection whose relatable characters are too often obscured by a remote style.

Pub Date: April 21, 2018

ISBN: 978-0-9996869-2-8

Page Count: 124

Publisher: Corpus Callosum Press

Review Posted Online: July 25, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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