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MAIJA

A first novel that lovingly evokes warm family ties and essential niceness but doesn't much move the reader as it chronicles the life of a quiet, good woman. In the six days between Maija's sudden death and funeral, various members of her family recall the pivotal role this Finnish- born woman played in their lives. Maija, who married a Finnish- American art historian, settled in Seattle in 1948. Soon widowed and left with a small daughter, Briitta, she spent the rest of her life teaching elementary school, studying art, and volunteering for good causes. To her family she was a quiet pillar of strength, dependable in any crisis, especially any that affected younger sister Leena's three children. Leena, who married an American academic she met while helping rebuild a war-damaged Finnish town, spent her life in Milwaukee, but the two sisters kept in touch through a long phone call each month. Now Leena recalls Maija's premonitions: the recent ones that seem to have foretold her death, and the long-ago one when Maija's fears about a relative's wedding day were proved right. Meanwhile, Leena's elder daughter, Kirsti, a literature professor, recalls how Maija helped her when her youthful marriage broke down; the younger daughter, Elly, a drama teacher, remembers that when she became pregnant during her senior year of high school, Maija found her a job and later took care of baby Rachel when Elly needed a break; and Joel, their brother, a freelance translator, recalls how, when he was drafted during Vietnam, Maija hid him in her car and drove him to Vancouver. Maija's funeral, conducted by a Finnish-born pastor, is, appropriately, a celebration of her life. A welcome insight into Finnish culture, with plentiful shared warmth and feelingthough uniformly simple and flawless characters keep it in the most minor of minor keys.

Pub Date: Aug. 7, 1995

ISBN: 0-940242-68-0

Page Count: 206

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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