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RISK

(A TALE OF WALL STREET)

A thoughtful and well-crafted look at the human stakes in high finance.

A debut drama explores the bottomless greed and dysfunction that plague Wall Street.

In the wake of the 2008 financial catastrophe, Wall Street is badly hobbled and the bond market is all but nonexistent. Urban Bank in New York City is hit particularly hard by the crisis, and hungry for a financial product to sell. French-born Francine Dubois, a “walking spreadsheet” known for her encyclopedic storehouse of knowledge and quiet meticulousness, comes up with a brash idea: package wages into bonds just as was once done with mortgages, effectively collateralizing them, and reap the benefits from managing them as well as from their after-market value. Francine’s idea is an intriguing one, and she’s asked to draw up a plan and discover a client to jump aboard; she finds Verdinion Computers, a respected company whose imprimatur ensures the bonds will have a Triple A rating. But despite her tireless efforts and creativity in midwifing what comes to be known as “Bondage Bonds,” Francine is relegated to the sidelines, not given proper credit or compensation for her innovation. She decides to branch out on her own, partnering professionally and romantically with a successful trader, Matthew Dixon, and they open their own firm, Benoit Trading. Francine expands the company to include payrolls for civil servants in France, a risky move that leaves her vulnerable to disaster. And when the market too exuberantly embraces the bonds, and a new crisis eerily familiar to the last one looms imminently, she is the most obvious candidate to be chosen as a scapegoat. Levey’s dramatization of Wall Street’s infinite avarice is ingeniously inventive, providing a scathingly astute commentary on the irrepressibility of capitalistic avarice. And no one is spared his gimlet-eyed scrutiny—even the bond ratings agencies are easily moved by their own myopically conceived self-interest. The author paints a vivid picture of a world too easily moved into a feeding frenzy: “A swelling sea of Bondage Bonds swept over the markets, and the sweet odor of fees and commissions seeped into the cloistered halls of American finance.” Francine is a fascinatingly complicated protagonist—restrained by an authentic sense of principle but not unmoved by the blandishments of material success, she walks a fine line between admirable ambition and reckless cupidity. The narrative includes a surfeit of highly technical jargon and will likely appeal most to those with a firm grasp and abiding interest in the inner machinations of the financial world. In addition, a plot turn toward the end of the tale that involves French terrorists seems overdone and implausible, unlike the rest of the novel. Levey’s writing is crisp and witty, though, and he avoids any easy moral judgments about his characters, allowing readers to experience them in all their vibrant complexity. The author’s first effort is a precocious one, characterized by unusual restraint and a sensitive attention to the moral frailty that even the noblest figures wrestle with.

A thoughtful and well-crafted look at the human stakes in high finance.

Pub Date: Oct. 11, 2017

ISBN: 978-0-9994206-0-7

Page Count: 256

Publisher: Yulap

Review Posted Online: Nov. 25, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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