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DO RIGHT BY ME

LEARNING TO RAISE BLACK CHILDREN IN WHITE SPACES

Essential reading for those who parent or nurture Black children or anyone who wants to better understand race in America.

A timely and in-depth parenting guide for White parents of Black children.

The authors, longtime friends and colleagues, aim to “orient parents and other community members to the ways race and racism will affect a Black child’s life, and despite that, how to raise and nurture healthy and happy children.” Harrison is Black, and D’Angelo and her husband are the White adoptive parents of a child whose biological mother is White and whose biological father is Black. The book grew out of the authors’ ongoing conversations about race and D’Angelo’s efforts to equip her son with the perspectives he needs to thrive. White parents, write the authors, must understand systemic racism, culture, identity, privilege, White supremacy and how their Black children will navigate the world in ways that they do not have to. To “protect, nurture, educate, affirm, encourage and advocate for every child,” love isn’t enough. Talking about racism can be tough, but the authors present hard truths with aplomb, taking a deep dive into a range of topics, including positive racial identity, foundational research on transracial adoption, how racism impacts Black people’s health, racial inequity in education, and the persistent threat of violence against Black people. Ultimately, the authors call on parents and others to make specific commitments to create change within their communities and “dramatically change the social, political, and cultural system.” Harrison and D'Angelo write with an urgency and hopefulness that make progress both a mandate and something within reach. Their voices alternate throughout the text in candid and intimate conversations with each other, the reader, and the larger culture. Alongside their personal stories and real-life challenges, they present statistics and contextual history, which makes for a highly informative and compelling narrative.

Essential reading for those who parent or nurture Black children or anyone who wants to better understand race in America.

Pub Date: Nov. 27, 2020

ISBN: 978-1-4399-1995-8

Page Count: 194

Publisher: Temple Univ. Press

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE MINOTAUR AT CALLE LANZA

An intriguing but uneven family memoir and travelogue.

An author’s trip to Venice takes a distinctly Borgesian turn.

In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.

An intriguing but uneven family memoir and travelogue.

Pub Date: April 2, 2024

ISBN: 9781953368669

Page Count: 144

Publisher: Belt Publishing

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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