Miner does much better with her evocation of place than with her characterizations, which are shallow.
In her eighth novel, Miner (Range of Light, 1998, etc.) celebrates friendship among a group of lesbians in rural California.
Serious, reserved Emily and ebullient Salerno met in a lesbian bar in Berkeley. A perfect match, they’ve been partners for 15 years. Fifty-year-old Emily is a city planner in Chicago, the somewhat younger Salerno a jazz saxophonist. They, along with three female friends, bought a ranch in the hills of Northern California, each building separate houses (in Emily and Salerno’s case, a one-room cabin). Emily has just arrived for a vacation when she learns that Salerno, returning from a gig in Arizona, has died in a plane crash. Emily is devastated, and the novel details her grief. But her loss is transcended by the warm camaraderie of her Beulah Ranch friends. Her first thought is to sell her portion of the ranch (she gets help from her brother Michael, a real-estate lawyer in San Francisco), but her friends are aghast. They love her. She must stay. The reader knows before Emily does that she is here for keeps. The reader also knows before Emily that Eva, the young Latina forest ranger with “the rich caramel-colored skin and the hazel-almost golden-eyes,” will provide Emily with more than just friendship. As an antidote to the abundant sweetness of the group, and in lieu of a plot, Miner describes threats to their idyllic existence: a rash of fires set by an arsonist, obnoxious evangelicals pushing Creationism, loggers intent on clear-cutting. Miner also gets some mileage out of an Indian artifact Emily discovers on her land. In this righteous work, in which it’s cool to be ethnic but not a WASP (Emily resents that she’s half-WASP), she naturally donates it to the Pomo reservation.
Miner does much better with her evocation of place than with her characterizations, which are shallow.Pub Date: April 1, 2007
ISBN: 0-8061-3814-9
Page Count: 248
Publisher: Univ. of Oklahoma
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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