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WHAT'S NOT SAID

A witty and often amusing marriage drama.

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A young woman must choose between old loyalties and a new beginning in Taylor’s debut novel.

Kassie O’Callaghan is a successful 54-year-old marketing executive with a knack for details, which has served her well during her long and admirable career. Now, she’s using her gift to orchestrate a very different kind of project: divorcing Mike Ricci, her husband of 30 years. After years of dealing with Mike’s emotional abuse, she’s finally had enough. But just as she’s about to take the leap, she gets some disastrous news—Mike has been diagnosed with chronic kidney disease. The news throws her emotions into confusion and complicates her plans to move in with Chris Gaines, a younger man she met while traveling in Venice, Italy. After she postpones her divorce and her other future plans, she comes across clues indicating that Mike may be deceiving her. Kassie eventually faces an impossible decision that might ruin her chance at happiness. Taylor’s dialogue is snappy and contemporary, and the book reads like a fun romantic comedy at times, despite the rather heavy subject matter. Kassie’s inner monologues occasionally provide humorous insights into her personality; when speaking with a doctor involved in her husband’s case, for instance, she thinks to herself, “Oh, that’s reassuring. Let’s suspend with the pleasantries already, shorty, and tell Bad Kassie what’s going on.” The chapters move along briskly without skimping on the finer points of the plot, and there’s even a Spotify playlist and book club discussion questions at the end for those who may be looking for a deeper reading experience. Secondary characters add intriguing layers of complexity to the story, and each plays a role in influencing Kassie’s decisions. The protagonist’s inner struggle feels genuine and heartfelt, and anyone who’s lived through a divorce will find it easy to relate to her.

A witty and often amusing marriage drama.

Pub Date: Sept. 15, 2020

ISBN: 978-1-63152-745-6

Page Count: 316

Publisher: She Writes Press

Review Posted Online: July 2, 2020

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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