by A Van Wyck ‧ RELEASE DATE: Feb. 1, 2016
A diverting introduction to an inventive fantasy saga.
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In this fantasy series opener, characters in a vast empire face such threats as warmongers and otherworldly creatures.
The Heli Empire, it seems, is “always at war.” So when the Renali Kingdom, a bitter enemy, suggests peace, some anticipate resistance to a treaty. A summit brings diplomats to Renali, including scribe and priest-in-training Marco dei Toriam and his mentor, Father Justin Wisenpraal. Unfortunately, conflict awaits them: sword-trained Marco chases down an assassin targeting a Renali princess—a killer whom apparently only the scribe can see. Not only do some people at the summit reject the attempts at peace, they also may be inciting further clashes or even war between nations. Meanwhile, an enigmatic, clawed creature from another plane of existence enters this world, likely the vicious being behind the recent “Butcher Murders.” In a concurrent plot, skilled thief and orphan Jiminy flees from a bounty, though he’s not exactly sure what sparked the price on his head. As he hunts for answers, he winds up in league with someone who needs his prowess to loot an immeasurably valuable item. Though van Wyck condensed his debut novel in this second edition, the engaging story retains an epic scale. The cast is unsurprisingly extensive, but the tale largely focuses on Marco, Justin, and Jiminy. Their individual subplots prove the most exciting; for example, Justin, using his empath ability, blocks Marco’s memory of a past trauma. And Marco’s recurring nightmares tease his dark, ominous history. In addition, the author shrouds much of the innovative story in mystery: Jiminy embarks on a prolonged journey before learning specifically what he’s stealing, and clawed creatures appear in glimpses of the long-ago past (“The final days of the Age of Magic”). Despite the book’s bulk and deliberate pace, the author’s brisk dialogue complements his indelible, concise prose: “The unhorsed rider was borne to the ground, hard. The victor held aloft a broken lance, galloping the length of the pitch.” The ending leaves at least one character’s fate in question, practically demanding that readers keep their eyes out for the sequel.
A diverting introduction to an inventive fantasy saga.Pub Date: Feb. 1, 2016
ISBN: 979-8721831485
Page Count: 617
Publisher: Independently Published
Review Posted Online: Oct. 31, 2021
Review Program: Kirkus Indie
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by Brandon Sanderson ‧ RELEASE DATE: April 4, 2023
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.
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New York Times Bestseller
A fantasy adventure with a sometimes-biting wit.
Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.Pub Date: April 4, 2023
ISBN: 9781250899651
Page Count: 384
Publisher: Tor
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
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SEEN & HEARD
by Edward Carey ; illustrated by Edward Carey ‧ RELEASE DATE: Jan. 26, 2021
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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