A wondrous book that will change the way you think about fantasy and magic.
A political, personal, and immensely readable collection about the intermingling of fantasy and reality.
With brilliant insight and masterful writing, Villarreal examines fantasy at close range, blending personal essay with intellectual criticism. The author ranges widely, examining racism, her childhood as the eldest daughter of Mexican immigrants, the gender performances of Kurt Cobain and Selena, and the fraught circumstances of her divorce. At the heart of the narrative is a significant question: “What does the constant state of loss after colonization, enslavement, and dispossession do to the collective imagination?” Furthermore, who has the privilege of imagination, and how does that shape our collective reality? In this memorable narrative, fantasy is involved in many different things: the video game where becoming a witcher is a means to heal after the betrayal of divorce; the Sphinx Gate in The Neverending Story; the American dream, “a fairy tale, after all”; Villareal’s search for her grandmother’s records, lost from national archives due to gendered violence; movies in which an all-white cast is still the norm; the author’s own mental health struggles; and Latine writers being forced to carry the label “magical realism” no matter their genre. Where there is fantasy, there is also magic, and the magic of this collection is the elasticity and brilliance with which Villarreal is able to take critical analysis and connect it to her own experiences. Magic itself, as the author indicates, is often treated as “a feminized, infantilized, racialized practice done by primitive or unwell people, despite its history in the healing arts. Ancestral knowledge is reduced to ‘magic’ to strip it of legitimacy, shamed, ridiculed, or framed as dangerous because it is how disempowered people…have historically healed, rebelled, and reclaimed their narratives.” Villareal expertly reclaims those narratives here.
A wondrous book that will change the way you think about fantasy and magic.Pub Date: May 14, 2024
ISBN: 9780593187142
Page Count: 368
Publisher: Tiny Reparations
Review Posted Online: March 20, 2024
Kirkus Reviews Issue: April 15, 2024
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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