A top-notch debut, at once sober and lively and provocative.

THE INVENTION OF EXILE

A man separated from his family for years reckons with his isolation in Manko’s debut, a superb study of statelessness.

In 1920, Austin (born Ustin) Voronkov was a Russian immigrant working as an engineer in Connecticut, married to an American woman and preparing to raise a family. But the Russian Revolution prompted a wave of red-menace paranoia in the United States, and Austin is deported after he’s bullied into saying he’s an anarchist. By 1948, when much of this novel is set, he’s living alone in Mexico City and scraping out a living doing odd-job repairs for the locals. His wife and three children, whom he hasn’t seen in 14 years, are back in the States, while Austin is all but drowning in the paperwork he believes will secure him passage out of Mexico: letters to ambassadors and legislators and patent applications for inventions he’s only dimly aware are outdated. A story framed around so much waiting and bureaucratic listlessness ought to feel drab and slow, but Manko brings plenty of energy to this tale. That’s partly due to the fact that she cannily shifts back and forth in time, recalling the fleeting moments of joy and togetherness Austin had, particularly a brief stint in Mazatlan running a lighthouse. (A bit metaphorically unsubtle, perhaps, but Manko uses light and glass metaphors in rich and complicated ways throughout the book.) Just as important, Manko is a tremendous stylist, using clipped, simple sentences to capture Austin’s mindset as his confidence in escape erodes but never entirely fades; Manko’s shift in perspective toward the end of the book reveals just how much the years of exile have weathered him. She deeply explores two complicated questions: What is the impact of years of lacking a country? And how much does this lack reside in our imaginations?

A top-notch debut, at once sober and lively and provocative.

Pub Date: Aug. 18, 2014

ISBN: 978-1-59420-588-0

Page Count: 304

Publisher: Penguin Press

Review Posted Online: May 17, 2014

Kirkus Reviews Issue: June 1, 2014

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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