Excellent drawing accompanies a remarkable story of persistence—and yet the artist still has trouble making a living in his...

THE DEAD EYE AND THE DEEP BLUE SEA

A GRAPHIC MEMOIR OF MODERN SLAVERY

A harrowing graphic memoir by a Cambodian survivor of human trafficking.

As a boy, Prum loved drawing and showed obvious talent. “One of my first memories is of drawing pictures of Bruce Lee in the dirt in front of our house,” he writes, a memory captured in finely etched detail toward the beginning of his powerful memoir. As a teenager, he had run away from his boyhood home, determined to escape the brutalities of his stepfather. Since there was no money in drawing, Prum became a soldier and then a monk. Discovering that life in the monastery didn’t suit him, and realizing art alone could not support him, he found work harvesting crops. There he met his wife, and soon she became pregnant, forcing the author to find more reliable work to support his family. He learned about a better-paying opportunity within the Thai fishing industry, but by the time he boarded his ship, he realized that instead of finding the higher pay the middle man had promised, he had been sold into slavery. He wouldn’t see his wife or even his native Cambodia again for five years: “Three years and seven months on a boat, four months on the plantation, one month in the hospital, and eight months in Malaysian police stations and jails.” On the boat, he witnessed a decapitation and other slaves thrown overboard when they were too sick to work. His escape to Malaysia led him to corrupt police who resold him to work on the plantation, where the owner was protected by the legal system. He was incarcerated “for illegal migration” before he agreed to lie to clear the plantation owner and returned home to a wife who didn’t recognize or believe him—until he rendered this graphic account. “And so I drew my way back into my family home,” he explains.

Excellent drawing accompanies a remarkable story of persistence—and yet the artist still has trouble making a living in his native Cambodia, while human trafficking on land and sea continues to flourish.

Pub Date: May 22, 2018

ISBN: 978-1-60980-602-6

Page Count: 240

Publisher: Seven Stories

Review Posted Online: March 6, 2018

Kirkus Reviews Issue: March 15, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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