by Vannak Anan Prum illustrated by Vannak Anan Prum with by Ben Pederick & Jocelyn Pederick ‧ RELEASE DATE: May 22, 2018
Excellent drawing accompanies a remarkable story of persistence—and yet the artist still has trouble making a living in his...
A harrowing graphic memoir by a Cambodian survivor of human trafficking.
As a boy, Prum loved drawing and showed obvious talent. “One of my first memories is of drawing pictures of Bruce Lee in the dirt in front of our house,” he writes, a memory captured in finely etched detail toward the beginning of his powerful memoir. As a teenager, he had run away from his boyhood home, determined to escape the brutalities of his stepfather. Since there was no money in drawing, Prum became a soldier and then a monk. Discovering that life in the monastery didn’t suit him, and realizing art alone could not support him, he found work harvesting crops. There he met his wife, and soon she became pregnant, forcing the author to find more reliable work to support his family. He learned about a better-paying opportunity within the Thai fishing industry, but by the time he boarded his ship, he realized that instead of finding the higher pay the middle man had promised, he had been sold into slavery. He wouldn’t see his wife or even his native Cambodia again for five years: “Three years and seven months on a boat, four months on the plantation, one month in the hospital, and eight months in Malaysian police stations and jails.” On the boat, he witnessed a decapitation and other slaves thrown overboard when they were too sick to work. His escape to Malaysia led him to corrupt police who resold him to work on the plantation, where the owner was protected by the legal system. He was incarcerated “for illegal migration” before he agreed to lie to clear the plantation owner and returned home to a wife who didn’t recognize or believe him—until he rendered this graphic account. “And so I drew my way back into my family home,” he explains.
Excellent drawing accompanies a remarkable story of persistence—and yet the artist still has trouble making a living in his native Cambodia, while human trafficking on land and sea continues to flourish.Pub Date: May 22, 2018
ISBN: 978-1-60980-602-6
Page Count: 240
Publisher: Seven Stories
Review Posted Online: March 5, 2018
Kirkus Reviews Issue: March 15, 2018
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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