An engrossing, quietly impassioned historical that blends some big ideas into the love story and ends with a touching burst...

PORTRAIT OF AN UNKNOWN WOMAN

In Henry VIII’s England, a spirited heroine grows from impulsive girl to wiser woman as religious intolerance rages.

British journalist Bennett’s first novel takes a sober approach to a well-trod patch of English history. Her educated heroine, Meg Giggs, is a ward in the home of Lord Chancellor Sir Thomas More, giving her a ringside seat overlooking the terrible drama of religious conflict. More is committed to defending the Catholic faith, which is coming under threat from the heretics, i.e., Lutheran Protestants. As Hans Holbein arrives to paint what will be his famous portrait of More and family, Meg comes back into contact with the man she always loved, John Clement, and with whom she shares healing aspirations. (She is an herbalist; he has been studying medicine.) John declares his love and intention to marry Meg, but More blocks the wedding until John is elected to the College of Physicians. Eventual plans for the union are eclipsed by John’s revelation that he is, in fact, Richard Plantagenet, one of the two princes assumed murdered by Richard III. But the wedding finally proceeds, initially happily, and a son is born. Suppression of the heretics, led by More, intensifies, with torture and burnings at the stake, resulting in Meg losing faith in her adopted father. When her husband reveals another important secret, she becomes estranged from him, too. The king, desperate for an heir and seeking a divorce in order to marry Anne Boleyn, begins to side with the Protestants, and More resigns. Holbein returns, now a better artist with an undying admiration for Meg, leading to the exposure of additional secrets and Meg’s final decision to opt for forgiveness and reconciliation.

An engrossing, quietly impassioned historical that blends some big ideas into the love story and ends with a touching burst of emotional insight.

Pub Date: April 3, 2007

ISBN: 0-06-125183-6

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2007

Did you like this book?

No Comments Yet

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 222

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

Reader Votes

  • Readers Vote
  • 15

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

Did you like this book?

more