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THE PARKER INHERITANCE

A candid and powerful reckoning of history.

Summer is off to a terrible start for 12-year old African-American Candice Miller.

Six months after her parents’ divorce, Candice and her mother leave Atlanta to spend the summer in Lambert, South Carolina, at her grandmother’s old house. When her grandmother Abigail passed two years ago, in 2015, Candice and her mother struggled to move on. Now, without any friends, a computer, cellphone, or her grandmother, Candice suffers immense loneliness and boredom. When she starts rummaging through the attic and stumbles upon a box of her grandmother’s belongings, she discovers an old letter that details a mysterious fortune buried in Lambert and that asks Abigail to find the treasure. After Candice befriends the shy, bookish African-American kid next door, 11-year-old Brandon Jones, the pair set off investigating the clues. Each new revelation uncovers a long history of racism and tension in the small town and how one family threatened the black/white status quo. Johnson’s latest novel holds racism firmly in the light. Candice and Brandon discover the joys and terrors of the reality of being African-American in the 1950s. Without sugarcoating facts or dousing it in post-racial varnish, the narrative lets the children absorb and reflect on their shared history. The town of Lambert brims with intrigue, keeping readers entranced until the very last page.

A candid and powerful reckoning of history. (Historical mystery. 8-12)

Pub Date: March 27, 2018

ISBN: 978-0-545-94617-9

Page Count: 352

Publisher: Levine/Scholastic

Review Posted Online: Dec. 2, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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