DHARMA

An amateur sleuth investigates the murders of her father and her university mentor.

The star of this debut mystery is Rekha Rao, an Indian American art history professor caught in the middle of a violent nightmare. The Southern California–based story opens with Rao being unceremoniously notified by police about the heinous murder of her mentor, archaeology professor Joseph Faust. He was bludgeoned to death with a Hindu goddess statue possibly absconded from his excavation site in India. Rao is asked to assist in supplying information on a possible motive for Faust’s murder, but she’s still reeling from the devastatingly traumatic effects of the senseless killing of her own father, a physician bludgeoned to death in his clinic just three years earlier. That homicide became even more complex after a janitor was arrested for the crime. But when Rao insisted the accused was innocent and that police reopen the case, they refused. When one of her students is brought in for questioning and then arrested in connection with Faust’s murder, Rao knows she needs to work fast to find answers as various suspicions, accusations, and suspects (including Faust’s wife and his cross-dressing son) begin orbiting the criminal inquiry. Rao also becomes increasingly frustrated with the general pace of the police-led investigation and, against Pasadena Police Detective Al Newton’s advice, begins her own amateur sleuthing, which puts her directly in harm’s way.

Rao is an instantly likable character whose respect for her family and her Indian heritage makes her a courageous, determined, reliable, believable, and humanitarian heroine for readers to cheer as she perilously attempts to piece together both crimes. “My goal to take care of all my dharmas was not a facetious one,” the protagonist reflects. Her undeniable attraction to the confident, handsome senior homicide detective creates some added romantic tension and another layer of intrigue to the narrative. Playing out over the course of just a few months, the story demonstrates Kumari’s uncanny knack for putting all of her characters and crimes in place and tying up loose ends in an economy of pages. Combining Hinduism, Hindu mythology, old jealousies and grudges, family melodrama, hidden secrets, and another death, the novel presents a winning recipe for an absorbing read. While the tale has many plot elements continuously spinning, the academic-turned–actress-and-author keeps a firm grip on the main plotline, which she skillfully and quite suspensefully brings to a boil once the perpetrator of Faust’s death is established and the race for justice moves into full swing. Though a newcomer to the mystery genre, Kumari establishes herself here as a writer with ingenuity. She presents a satisfying crime tale with appealing characters who embody vivid and unique cultural perspectives. Delivering a smoothly written, impressive series opener, the author is a new mystery writer to watch.

A polished, confident whodunit brimming with personality and the right amount of intrigue and mayhem.