by Venise Berry ‧ RELEASE DATE: Jan. 7, 2002
To writing what doodling is to painting.
Continuing where she left off in All of Me (2000), Berry ignores the tenets of good storytelling and aims clearly for a single racial market. Lucy and Adel are African-American women who have transcended this awful society to achieve high-powered positions in the health and oil businesses, respectively. One night, watching black television together, they decide to call a psychic hotline. Enter Kuba, a male telepsychic, who knows just how to give Lucy her groove back. As the action plays out, both women deal with professional and romantic entanglements, though their jobs seem to require little effort and sexual betrayal is really no big thing. Spirituality tries to become a theme here as Lucy dabbles with Kuba’s voodoo, European religion, and Celtic mysticism. The vapid Adel’s idea of introspection is to sit and contemplate what she watched on TV the night before. A murderous white man Lucy was forced to fire provides the only pyrotechnics. All the characters here are stock, including the interchangeable heroines, whose goals seem to be to behave like teenagers as often as possible and “help someone of [their] own race move ahead.”
To writing what doodling is to painting.Pub Date: Jan. 7, 2002
ISBN: 0-525-94471-0
Page Count: 272
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
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by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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by Chaim Potok ‧ RELEASE DATE: April 28, 1967
This first novel, ostensibly about the friendship between two boys, Reuven and Danny, from the time when they are fourteen on opposing yeshiva ball clubs, is actually a gently didactic differentiation between two aspects of the Jewish faith, the Hasidic and the Orthodox. Primarily the Hasidic, the little known mystics with their beards, earlocks and stringently reclusive way of life. According to Reuven's father who is a Zionist, an activist, they are fanatics; according to Danny's, other Jews are apostates and Zionists "goyim." The schisms here are reflected through discussions, between fathers and sons, and through the separation imposed on the two boys for two years which still does not affect their lasting friendship or enduring hopes: Danny goes on to become a psychiatrist refusing his inherited position of "tzaddik"; Reuven a rabbi.... The explanation, in fact exegesis, of Jewish culture and learning, of the special dedication of the Hasidic with its emphasis on mind and soul, is done in sufficiently facile form to engage one's interest and sentiment. The publishers however see a much wider audience for The Chosen. If they "rub their tzitzis for good luck,"—perhaps—although we doubt it.
Pub Date: April 28, 1967
ISBN: 0449911543
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: April 6, 2012
Kirkus Reviews Issue: April 1, 1967
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