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SMALL BONES

From the Secrets series

Clues come at just the right pace for the readers to crack the puzzle right along with the protagonist in this mystery, one...

In a witty and believable 1964 Ontario, a foundling teen investigates the circumstances of her own birth.

Sixteen-year-old Dorothy "Dot" Blythe knows she'd been found at the Benevolent Home for Necessitous Girls. What she hadn't known is that she'd been a premature infant no bigger than a woman's hand, wrapped in a coat from a shop in the town of Buckminster, bundled up with a sterling-silver mustard spoon. When the Benevolent Home burns down, the matron kindly packs Dot off to Buckminster, the coat and spoon her only guides to her past. Though Dot can't find her parents anywhere, she does find a job as a seamstress—and a lot of secretive townsfolk. It seems that the town's sordid past might be tied to Dot's own, so she enlists the help of a flirtatious townie and aspiring journalist to ferret out Buckminster's secrets. Oddly enough, several older locals react strangely when they first meet Dot. The novel has an eerie, slow build, with a sense of danger increasing with each secret unearthed, but it collapses into a dissatisfyingly simple and light revelation. Nonetheless, this mystery stimulates while showcasing its mid-20th-century Canadian setting. Buckminster teen life in 1964 includes drinking, sex, and "lighting farts on fire," challenging simplistic interpretations of the Donna Reed era.

Clues come at just the right pace for the readers to crack the puzzle right along with the protagonist in this mystery, one of seven linked novels publishing simultaneously . (Historical mystery. 12-16)

Pub Date: Sept. 29, 2015

ISBN: 978-1-4598-0653-5

Page Count: 256

Publisher: Orca

Review Posted Online: June 9, 2015

Kirkus Reviews Issue: July 15, 2015

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ONCE UPON A BROKEN HEART

From the Once Upon a Broken Heart series , Vol. 1

A lushly written story with an intriguing heart.

After praying to a Fate for help, Evangeline discovers the dangerous world of magic.

When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.

A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)

Pub Date: Sept. 28, 2021

ISBN: 978-1-250-26839-6

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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ONCE A QUEEN

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.

A portal fantasy survivor story from an established devotional writer.

Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)

Pub Date: Jan. 30, 2024

ISBN: 9780593194454

Page Count: 384

Publisher: WaterBrook

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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