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JESSE SINGS

SEARCHING FOR FAMILY

From the Jesse's World series , Vol. 1

A well-crafted, satisfying family tale.

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A debut novel tells the story of an 8-year-old boy acclimating to life in a new town.

Ohio, 1954. Jesse Hall’s parents’ marriage is on the rocks. His father gambles away their money, and his mother, Viola, suffers from mental illness. After Viola attempts suicide and then becomes pregnant, she takes Jesse away to start a new life without the boy’s father. After a brief stay with her parents that doesn’t go well, Viola and Jesse are forced to find a place of their own. They end up in Sabina, “The Eden of Ohio,” where a kindly landlord gives them a discounted apartment and an old sewing machine for Viola to make a living. Jesse meets some kind people, including Karen, the pretty woman who works at the Five and Dime, and Lynn Ott, another 8-year-old who doesn’t have a father. He also meets bullies, both young and old, who are unsympathetic to his difficult past. There is even a risk that a social worker will remove him from his mother’s care. Through that long first summer in Sabina, Jesse longs to live with any of his three half siblings and for his parents to get back together. He remembers the first rule his grandfather taught him—“Do no harm”—and says his prayers for his family: “I pray for healing for my mom and dad. I thank you for your blessings. Amen.” In his series opener, Hess writes in a measured prose that captures the subtleties of Jesse’s thoughts with precision and lyricism. Here the author describes Jesse’s reaction after his mother is hospitalized following a suicide attempt and his father tells them they have to move: “I turned the car radio on and pressed the button to a station playing Deck the Halls. I didn’t want to talk anymore. I stared out the car window. Kids were getting on buses. I kept manipulating the jacket zipper, but it stayed stuck in the middle while it was getting colder outside.” The book is not especially plot heavy, but it is a page-turner nonetheless. It harkens back to coming-of-age literature of a much earlier era, where lessons are gleaned slowly from observing the lives of other people.

A well-crafted, satisfying family tale.

Pub Date: Oct. 25, 2017

ISBN: 978-0-9995640-0-4

Page Count: 244

Publisher: Time Tunnel Media

Review Posted Online: Aug. 21, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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