A collection of diverse literary offerings that lacks a coherent structure.
This debut philosophical miscellany includes story fragments, a film treatment, poems, a two-act play, and letters to the editor.
Presented without any framing material, this hodgepodge becomes tough to decipher. Several themes do become apparent: fulmination against society’s restrictions; a writer called Terrence F. Hill; a mysterious figure, Godot-like, called Marcel; the nature of art, spirituality, and sanity. The book begins with a one-page episode centered on an unnamed man, head of the Rangoon police force and winner of the Nobel Prize in literature, who uses his acceptance speech to say that he’s being called a great man only after he learned to hate. Next is an epistolary chapter in which Hill, author of novels including The Heart of a Poet, complains of being persecuted “in the thoughts of the devil, or evil, upon all God or nature would allow to receive the thoughts.” (This book exists, and Love’s work quotes from it, but the author never directly identifies himself with Hill.) Next is a film treatment in which a priest blames himself for not rebelling as a boy and bemoans his “tired heart”: “I feel like I’ve been dragging a wounded soldier along with me most of my life. He begged me to leave him behind—but I wouldn’t.” This image does have power, but Love weakens it through explanation: “The wounded soldier stands for the values of the family—and the laws and values that are the foundation of civilization.” A play follows, much in the vein of French absurdists (the author insists otherwise), with some effective dialogue among the confusion: “He lived in a - 30 - Cent - Bus - Ticket—Reality (Pauses) A rider in life, who stayed on the same vehicle and never had to upgrade his fare; he thought he stood on the stilting songs of life.” The film treatment starring the conflicted priest is repeated verbatim; other pieces follow, some looping back to earlier concerns, others seeming quite random, like a medical report in French. The book needs a strong editor to fix distracting errors of spelling, capitalization, and punctuation (for example, “André Sakorov the soviet dissedent wrote at essay in 1958, that was published around the world and was a sensation”).
A collection of diverse literary offerings that lacks a coherent structure.Pub Date: Aug. 31, 2017
ISBN: 978-1-5462-8164-1
Page Count: 108
Publisher: AuthorHouseUK
Review Posted Online: Oct. 18, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
