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DUKE HAMILTON IS DEAD!

A STORY OF ARISTOCRATIC LIFE AND DEATH IN STUART BRITAIN

In a vividly evocative account, Stater (History/Louisiana State Univ.) weaves social and political history into a plot that reads like a Restoration-era episode of Dallas. By the late 17th century the British nobility’s reliance on land-based wealth made them poorer than the new mercantile classes of the emerging British Empire, which compelled many lords to incur ruinous debts to maintain their grand lifestyles. Against this economic backdrop, Stater draws a picture of ubiquitous immorality and violence, typified by the nasty and brutish lives of two men: Charles, the fourth Baron Mohun (1677—1712), and James, Duke of Hamilton (1658—1712). Though a prodigious worker in matters of state, Mohun, who was eventually tried for murder twice by the House of Lords, spent most of his life tippling, brawling, and whoring. Hamilton, a Scottish peer who championed Scottish independence, landed twice in the Tower of London for his connections to the Catholic Stuarts and played a deceitful double game for years with the court of the exiled Catholic pretender that amounted to treason. Stater focuses on one particularly fateful piece of intrigue, the bitter decade-long legal battle between Mohun and Hamilton over title to Gawsworth, a valuable English country estate, which had been obtained by Mohun through a monstrous pattern of fraud and perjury, and which Hamilton claimed through his marriage of convenience. The machinations of a rapist and profligate, George MacCartney, whose appointment as governor of Jamaica was blocked by Hamilton, exacerbated the tensions between the two men. In 1712, the Gawsworth lawsuits and the two lords’ deepening political enmity—Mohun and fellow Whigs like the Duke of Marlborough feared that Hamilton’s suspected connections with the pretender could result in Catholic restoration—led to a mutually fatal encounter on Hyde Park’s dueling ground. A vivid, if often ugly, snapshot of a social class under siege in a time of tumultuous change. Well researched and thoughtful. (b&w photos, not seen)

Pub Date: Feb. 1, 1999

ISBN: 0-8090-4033-6

Page Count: 288

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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