Siblings try to figure out whether or not their father committed murder—but the real mystery lies in that man’s broken sense of self.
Jane Leigh—whose late husband, John Lo, was acquitted of killing a colleague at the law firm where he was a partner—is dying of cancer. When her children, Hunter, a reporter, and Brennan, an attorney, re-engage with each other during Jane’s final days, brother and sister realize they disagree on their father’s guilt. Their decision to try to solve this stone-cold case soon disrupts their schedules and psyches, and readers will find their sleuthing sound, if a little serendipitous, such as when an old family friend gives them access to confidential files. However, the best and most haunting writing in lawyer Suthammanont’s debut concerns John Lo himself, a first-generation Chinese American whose parents came from the region of Teochew culture. John recalls that his father expressed satisfaction (“pride was an overstatement”) with him only twice, when he graduated from college and when he got into law school: “John knew that was because it meant that his life would be better than his father’s.” His father gave John a springboard for success, but also the titular hollow spaces in his makeup—areas of dissatisfaction and longing that John unfortunately fills with alcohol, then with an affair with gorgeous associate Jessica DeSalvo, whose murder shatters his life. Chapters alternate between Then (before and after the murder) and Now (when Hunter and Brennan join forces), and while this is surely meant to destabilize readers, it also puts into stark relief how separate the experiences of an outsider parent can be from those of their multiracial children. While John Lo dealt with macro- and microaggressions from people in most areas of his life, Hunter and Brennan move through the same New York City world without friction, yet saddened and confused by their father’s deeds. It’s an intriguing, if ultimately slightly muddy, combination of sleuthing and character study from a talented writer.
Come for the murder mystery, stay for the lyrical passages on love and loss.