A writer of Mexican-American heritage (Jury, 1977) tells the engrossing saga of his family's immigration to, and subsequent life in, California in the wake of the Mexican revolution. A sort of Hispanic Roots, the book focuses on three generations as they struggle with poverty and prejudice, love and life. When Villasenor was first contracted to write Rain of Gold, it was to be a ``major'' work of fiction. As he began interviewing his relatives for background material, however, he realized that there was a much more important story to tell: the nonfiction account of his family's history. Unable to convince his publisher to go along with his new plans, Villasenor gave back his $75,000 advance, took a $1,500 advance from a lesser-known house, and set about writing ``a history of a people—a tribal heritage, if you will—of my Indian-European culture as handed down to me....'' It was a brave and rewarding decision. From beginning to end, the chronicle is filled with one remarkable story after another. All have the simple warmhearted quality of family tales told around the kitchen table, yet all are eminently believable. Many episodes have to do with overcoming hardships: A daughter is brutally raped and goes blind; a proud mother is forced to become a beggar to support her children; a son admits to a murder he didn't commit in order to collect money for his family. Others deal with love and God and the ``meaning of life.'' The book is heavy-handed and sketchy at times, and bogs down in the second half, but, overall, it's a page-turner. Perhaps not the definitive Hispanic family epic, but an inspiring, fast-paced tale with a simple, fable-like quality that's often surprisingly moving.
Pub Date: Aug. 30, 1991
ISBN: 1-55885-030-9
Page Count: 560
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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