A lusty collection of love poems by an enamored poet.
A book of confessional love poems inspired by a friend of the author’s.
Day-Joel dedicates this book to Oliver, a friend for whom she has secret romantic feelings. Whether or not her love is requited is unclear, but she offers many poems about her fantasies involving him. “Meeting you has stirred me,” she admits at the outset. In “The Calling,” she pledges to lead him “to the depths of my soul” while simultaneously honoring his light and embracing his darkness. As the friends spend more time together in the poems, Day-Joel longs to share memories with this man and reveals that she is starting to hear his voice in her head when they are apart. They talk about the universe and music. The author consults an astrologer to try to better understand her connection with this fellow “free spirit” with whom she shares a “relaxed synchronicity.” She wades into erotica as X-rated thoughts consume her and she imagines intimacy with Oliver. The two “gently touch into a tease” on a camping trip but ultimately keep things platonic. Unfortunately, the sentiments in the poems too rarely transcend the bland and unoriginal. “The more I get to know you the more I like you,” she writes. Clichéd imagery abounds; the author says that looking into Oliver’s eyes “is entering the depths of a deep ocean” and that his gaze is “like a lightning bolt out of nowhere.” The poems also lean heavily on alliteration that at times can be distracting, as in a description of the couple “discussing symptoms, solutions and society / With our spreadsheets, shared numbers and stationery.” Day-Joel shows that she’s capable of more in poems like “Tea Break,” in which she sets an evocative scene: “Morning is coffee, tea and a pinch of frivolity / We laugh at absurdities, share humour and stories.” Writing from the heat of desire is Day-Joel’s strong suit, and she excels when she gets more visceral, as in “Fantasy,” in which she dons a “suspender belt tight like the grip of your hand around my waist.”
A lusty collection of love poems by an enamored poet.Pub Date: Sept. 27, 2018
ISBN: 978-1-78830-186-2
Page Count: 67
Publisher: Olympia Publishers
Review Posted Online: May 11, 2022
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A cheeky, gossipy dual biography.
A study of two writers uncomfortably entwined.
After Eve Babitz (1943-2021) died, her biographer Anolik came upon a letter from Babitz to Joan Didion (1934-2021) that startled her. Filled with “rage, despair, impatience, contempt,” it read like a “lovers’ quarrel.” “Eve was talking to Joan the way you talk to someone who’s burrowed deep under your skin, whose skin you’re trying to burrow deep under.” That surprise discovery suggested a “complicated alliance” between the two. In sometimes breathless prose, with sly asides to the “Reader,” Anolik draws on more than 100 interviews with Babitz and many other sources to follow both women’s lives, tumultuous loves, and aspirations before and after they met in Los Angeles in 1967, sometimes straining to prove their significance to one another. “Joan and Eve weren’t each other’s opposite selves so much as each other’s shadow selves,” she asserts. “Eve was what Joan both feared becoming and longed to become: an inspired amateur.” At the same time, “Joan was what Eve feared becoming and desired to become: a fierce professional.” Didion had just won acclaim for Slouching Towards Bethlehem when Babitz, newly arrived from New York, began socializing with her and her husband, John Gregory Dunne. The reticent Didion and the sensual, energetic Babitz could not have been more different, and Anolik clearly prefers Babitz. “I’m crazy for Eve,” she admits, “love her with a fan’s unreasoning abandon. Besides, Joan is somebody I naturally root against: I respect her work rather than like it; find her persona—part princess, part wet blanket—tough going.” Their relationship—hardly a friendship—fell apart in 1974 when Didion and Dunne were assigned to edit Babitz’s autobiographical novel, Eve’s Hollywood. Babitz, resentful of Didion’s attitude and intrusion, “fired” her, pursuing her writing career on her own. Didion soared to literary fame; not, alas, Babitz.
A cheeky, gossipy dual biography.Pub Date: Nov. 12, 2024
ISBN: 9781668065488
Page Count: 352
Publisher: Scribner
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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