Though there’s a plethora of choices in the rodent canon, this shines bright.
Cuddly classroom pets must stop a group of rapacious rodents from ruining the elementary art show in this sequel to The Great Pet Escape (2016).
In the second-grade classroom of Daisy P. Flugelhorn Elementary lives George Washington, a lovably plump tawny-and-white hamster. GW spends his days palling around with the other class pets, Sunflower the guinea pig and Barry the bunny, and also with his best friend, a pigtailed, white-skinned second-grader named Carina. When Carina’s picture is chosen for the art show as the only second-grade submission, GW is thrilled. But the mischievous mouse Harriet and her murine minions have other plans for the art show, plotting to steal Carina’s picture and having GW’s gang sent away to St. Bart’s Obedience School for Unruly Pets. Can GW and his friends work together to outsmart Harriet before she wrecks the show? This gentle graphic adventure’s warm and inviting illustrations portray snuggleworthy characters resembling stuffed toys brought to life. The animated and adorable menagerie displays a pleasing blend of silliness and good-natured naughtiness, imparting a kind message of friendship without a hint of saccharinity. A sweet surprise ending with equal emphasis on humans and animals sets this apart from many critter tales.
Though there’s a plethora of choices in the rodent canon, this shines bright. (Graphic fantasy. 5-9)Pub Date: June 13, 2017
ISBN: 978-1-62779-118-2
Page Count: 64
Publisher: Henry Holt
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Two delightfully dense heroes bring folk tales into the 21st century, and young readers are all the richer for it.
Two thickheaded macaroni noodles prove the old adage: a fool and his firewood are soon parted.
Fools have been called “noodleheads” for centuries, but until recently few have represented the term quite so literally. Mac and Mac aren’t the brightest pieces of pasta in the world, but their hearts are in the right place. Here, the two decide to help their mama out by gathering firewood in hopes that she’ll bake them a cake. As they are attempting to cut the very branch they’re sitting on, a passing meatball points out that they are mere minutes away from bruised bottoms. When his words come to pass, our heroes decide the meatball is clairvoyant and demand to know their future. Drawing on and smoothly weaving together a variety of folk tales, the brief graphic novel describes how its obtuse protagonists single-mindedly seek cake, even as they anticipate death, purchase “firewood seeds” (aka acorns), and accidentally dig their mother a garden. Emergent readers will appreciate the simple text, short chapters, and comics-inspired paneled illustrations. Adults will appreciate the authors’ note, which goes into some detail about each chapter’s folk origins.
Two delightfully dense heroes bring folk tales into the 21st century, and young readers are all the richer for it. (Graphic early reader. 5-9)Pub Date: March 15, 2017
ISBN: 978-0-8234-3673-6
Page Count: 48
Publisher: Holiday House
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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