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FAG HAGS, DIVAS AND MOMS

THE LEGACY OF STRAIGHT WOMEN IN THE AIDS COMMUNITY

An obvious labor of love for the author and a moving tribute to the unsung heroes of the AIDS crisis.

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Public speaker and activist Noe (Friend Grief and Men, 2016, etc.) chronicles the sometimes-overlooked efforts of women who helped battle the AIDS epidemic.

In 2014, the author attended a panel discussion that featured gay and straight women who played prominent roles in the fight against AIDS. She felt that their impassioned stories needed more widespread attention. In this book, she informatively writes about tireless support workers, such as Terri Wilder, who dedicated her life to AIDS activism and awareness, and the late activist Iris De La Cruz, as well as more famous public figures, such as Elizabeth Taylor and Princess Diana. Other chapters focus on other women who were hospice volunteers, caregivers, mothers, pioneering researchers, and medical educators who were trained on the front lines of the epidemic. Many of these women were HIV-positive themselves and found that the system, with its consistent “lack of accurate, stigma-free sex education,” failed them, as it had the gay male community in the 1980s and ’90s. Noe writes proudly and engagingly of her own social and political advocacy and activism, including her work at a residential program for AIDS survivors, lobbying on Capitol Hill for the Ryan White Care Act in 1990, and joining ACT UP/NY in 2013. She remembers being known as a “fag hag” then, but she tells of how she learned to embrace that moniker. This essential book is most poignant when Noe channels the pain, loss, and helplessness of the 1980s, when AIDS-related hospital programs “did not have unanimous workplace support” and half of most primary care physicians refused to treat AIDS patients. Instead, she points out, men and women with AIDS had to rely on the kindness of strangers—people who nursed the ill, defended them, and, above all, loved them unconditionally. Noe’s book celebrates one sector of this compassionate network of caregivers with empathy, appreciation, solidarity, and immense pride.

An obvious labor of love for the author and a moving tribute to the unsung heroes of the AIDS crisis.

Pub Date: March 29, 2019

ISBN: 978-0-9903081-9-5

Page Count: 226

Publisher: King Company Publishing

Review Posted Online: June 6, 2019

Kirkus Reviews Issue: July 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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