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THE FAMILY JEWELS

A Mafia tale with good characterization and well-placed comedy.

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In Graziano’s (Die Laughing, 2009) thriller, two brothers who severed their mob ties years ago return to their Manhattan home and become embroiled in the gangster life once again.

Thirty years ago, Tommy Rossini was an enforcer for wiseguy Pauly Fazzula. But when the stress of the job literally gave Tommy a heart attack, Pauly approved his “medical leave” from the Mafia. Tommy becomes a successful businessman in Arizona until he loses everything as one of the many victims of fraudster Bernie Madoff. Meanwhile, his older brother, Jake, married Pauly’s daughter, Bernadette, but later, he gave up all of this mob-associated wealth when he decided to divorce her. He then left New York City and had a string of failed business ventures. Now Jake and Tommy have no choice but to go home to their Parkinson’s disease–ridden mother, Maddie, and her caregiver, Dory. Tommy reluctantly starts working for Pauly again to earn some money, but Jake smartly stays hidden away from the mob boss. Around the same time, Detective Santo Olivetti of the New York City Police Department is investigating the murder of Monsignor Matthew Burns of the Church of the Most Precious Blood. He’s already connected Burns to organized-crime families, and he also has a witness—a priest named Bryce Gleason who may have seen the killer. Soon the priest’s life intersects with Tommy’s, and someone is destined to wind up dead. The Rossinis, with help from their youngest brother, Looney (who never left New York), must devise a plan for dealing with Pauly. Despite a plot that revolves around the mob, Graziano’s tale is surprisingly lighthearted. Violence is mostly implied, and the narrative is largely free of profanity—at least, compared to other gangland novels. This doesn’t diminish the impact of Pauly as a villain, however. His power is without question, and it’s clear that anyone who crosses him will likely die. That said, the author imbues the story with humor, particularly in scenes with the Rossini family. One highlight is Maddie; for instance, when Tommy is upset that Jake would have sex with a woman under their mother’s roof, Jake reminds him that she can’t hear anything. “Right,” Maddie agrees, a good distance away. “I can’t hear anything.” On the romance front, Tommy reconnects with Maria Forzano, a woman whom he left behind when he escaped the mob. Their relationship is convincing as they struggle with burdens—namely, that Pauly seems to have targeted her family-owned shop. Graziano’s no-frills prose provides the plot with a steady tempo. But it also offers lingering moments, as when Tommy walks through his old neighborhood: “On the sidewalks, white-apron-clad vendors hawked fruits and vegetables; and behind the windows of the same shops with sawdust-covered floors, old-fashioned butchers boned legs of veal and wielded scaloppine hammers.” The killer’s identity is apparent rather quickly. Nonetheless, the novel is fraught with tension, as the inevitable showdown with Fazzula could turn out any number of ways.

A Mafia tale with good characterization and well-placed comedy.

Pub Date: March 13, 2018

ISBN: 978-0-692-93682-5

Page Count: 304

Publisher: Ggp Publishing, Inc.

Review Posted Online: Aug. 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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