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I HOPE PERSONALITIES AREN'T HEREDITARY

A ROMP THROUGH THE DECADE THAT TOOK US FROM MARTINI'S TO MARIJUANA

This book paints a believable, if occasionally lackluster, picture of turbulent American lives.

A debut novel chronicles one family’s mishaps in the 1960s.

This story begins with Frank Bellincioni explaining to his 12-year-old great-nephew, Michael, that, despite outward appearances, their family has not always been as upstanding as it might seem. Michael imagines no one in the clan has ever done anything “dangerous or exciting,” though Frank insists it is one “bat-shit crazy tribe.” Frank then recounts the tribe’s colorful history. In 1958, he, his parents, and his two siblings move from Chicago to the nearby suburb of Prospect Heights. Although Prospect Heights is only 45 minutes out of the city, it is nearly a world away from what they know. While dealing with life “in the middle of nowhere” is not easy, they begin to cope. Frank’s father becomes a bartender with a side gig as a bookie, and Frank’s mother makes dresses, though at one point the local police suspect she is running a brothel. Along with the family’s relocation come the changing times of the ’60s. Frank even finds himself involved in the protests outside of the 1968 Democratic Convention, and his eighth-grade trip to Washington, D.C., winds up engulfed in raunchy, sexual liberation-era pandemonium. They are stories not just of a city family’s adjustment to suburban life, but also of that clan’s attempts to keep up with the world around it. Some of Monteleone’s tales deftly illustrate a bygone era, as when Frank’s brother goes behind his parents’ backs to change the specifications on his custom-ordered 1964 Buick Skylark. Other events, such as Frank’s father falling through a plasterboard ceiling, might play well at a family reunion but they do not garner much excitement in a work of fiction. The stories are relayed in a conversational, slightly crude style, as when Frank explains how his parents made sure his siblings “got their butts to church every Sunday” and how Pat Booth, one of his mother’s friends, hypnotized men with her “incredible rack.” Such a style produces a captivating air of authenticity, and the reader is likely to feel at least some connection with this family caught up in tempestuous times.

This book paints a believable, if occasionally lackluster, picture of turbulent American lives.

Pub Date: July 25, 2017

ISBN: 978-1-5466-0207-1

Page Count: 138

Publisher: CreateSpace

Review Posted Online: Oct. 31, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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