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MAGIC AND LOSS

THE INTERNET AS ART

A thoroughly engrossing examination of the Internet’s past, present, and future.

New York Times Magazine writer Heffernan considers the mighty Internet in all its terrible beauty and power.

As a member of a pre-millennial generation that can rightly say its maturation process paralleled the Internet’s own, the author is in excellent position to declare early on, “if it’s ever fair to say that anything has ‘changed everything,’ it’s fair to say so about the Internet.” Heffernan’s digital odyssey began personally and warmly in the glow of an inchoate social networking platform at Dartmouth College called “Conference XYZ,” which the author used while still a preteen. The ensuing decades have only served to deepen the author’s initial wonder with the Internet. Deeply contemplating the aesthetic meaning behind the Internet’s early interface, Heffernan exercises the same sort of intellectual curiosity more commonly ascribed to things like string theory and quantum physics. She similarly treats popular time killers like “Angry Birds” and “Frisbee.” “But when things settle down in reality, the Frisbee game is too exciting,” writes the author. “It does nothing to teach the all-important patience and tolerance for boredom that are central to learning.” The author’s cerebral, literary approach also informs her discussion of YouTube’s inaugural clip from 2005, titled “Me At The Zoo,” in which one of the site’s founders vaguely talks about elephants at the San Diego Zoo. Heffernan, however, is also sober about the Internet’s negative aspects. At one point, she calls it a “graphic mess…designed to weaken, confound, and pickpocket you.” Still, the author steadfastly defends the Internet from myopic critics who are all too happy to jeer it. “Asking what’s to become of poetry in the age of Twitter is like asking what will become of music in the age of guitars,” she writes. In melding the personal with the increasingly universal, Heffernan delivers a highly informative analysis of what the Internet is—and can be.

A thoroughly engrossing examination of the Internet’s past, present, and future.

Pub Date: June 7, 2016

ISBN: 978-1-4391-9170-5

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: March 19, 2016

Kirkus Reviews Issue: April 15, 2016

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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