One of the best of its genre; attractive and informative, and a must for the growing Chinese New Year shelf.

POPO'S LUCKY CHINESE NEW YEAR

PoPo helps her granddaughter learn Chinese New Year traditions in this intergenerational celebration of family and culture.

When PoPo arrives from China, preparations for Chinese New Year, a holiday that’s like “Thanksgiving, Christmas, and New Year’s Day all bundled together,” begin. Everything, from what one cooks and wears to how one cleans and decorates, is important to this age-old custom. As PoPo explains the symbolism behind each gesture, her Chinese-American granddaughter reacts with an honesty and effort that will captivate readers. The child’s candid responses, both humorous and endearing, make the holiday’s rituals accessible—whether she’s sweeping her baby brother out with the bad luck (before bringing him back in and lovingly rubbing his “big Buddha belly”), greedily eating seconds for a long life, or acting like a cash register, yelling “Cha Ching!” when red envelopes with money are being distributed. Benoit’s pencil-and-watercolor illustrations are extremely appealing. They exude warmth—both in the way she draws her characters and with her palette selection and how she thoughtfully applies her colors. Everything has a softness to it, drawing readers in, until they too feel embraced by the girl who cuddles her baby brother and the grandmother who is passing her heritage on to her kin. With running commentary on common practices included on each spread and an art activity at the end, Loh-Hagen offers a comprehensive idea of what Chinese New Year is about, couched within an authentic Chinese-American experience.

One of the best of its genre; attractive and informative, and a must for the growing Chinese New Year shelf. (Picture book. 4-8)

Pub Date: Dec. 1, 2016

ISBN: 978-1-58536-978-2

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Oct. 19, 2016

Kirkus Reviews Issue: Nov. 1, 2016

Did you like this book?

No Comments Yet

Just the thing for anyone with a Grinch-y tree of their own in the yard.

THE HALLOWEEN TREE

A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.

A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.

Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7335-4

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

No Comments Yet

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

Did you like this book?

No Comments Yet
more