Harriet is a sixth-grader who feels abandoned by her mother, a musician who has parked her with a biologist uncle so she can tour Europe. Harriet finds nothing good about her new home in rural California until she sees her uncle feeding an injured bat. Disobeying his orders, she picks up an abandoned baby bat while on a field trip. Harriet hides it for weeks, waking up every two hours to feed it at night; he thrives while sleep deprivation begins to take a toll on Harriet. The bat helps her make friends, but disaster strikes when the terrified creature flies through the classrooms and disrupts the entire school. Harriet finally must make the painful decision to return her pet to the wild, and when she sees the baby reunited with its mother, she begins to understand her own mother better. Although the characters remain superficial, the author’s treatment of Harriet’s difficulties in her new school will strike a chord with children. The wealth of information offered about bats is engagingly presented. (Fiction. 8-12)
Pub Date: April 1, 1999
ISBN: 0-7614-5047-5
Page Count: 142
Publisher: Marshall Cavendish
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 1999
Categories: CHILDREN'S ANIMALS | CHILDREN'S FAMILY
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Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)
Pub Date: April 1, 1999
ISBN: 0-316-79899-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 1999
Categories: CHILDREN'S FAMILY
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