A predictable plot reveals emotional complexities.
A marriage falls apart in 1970s Montana.
Laura is angry. Her husband, Ed, a behavioral psychiatrist, has taken a position as superintendent of a mental institution in Boulder, Montana, forcing their move from Michigan, where she was pursuing her career as an artist. She is angry, too, because he works all the time; she feels ignored; and, worse, he is obsessed with one patient, Penelope, a beautiful, intelligent 16-year-old epileptic. Angry, jealous wife; workaholic, sexually voracious husband; tempting young woman: Reeves (Work Like Any Other, 2016) plays out this well-worn triangle in chapters that shift between Laura’s first-person narration and a third-person narration that's close to Ed's perspective, arriving at a twist that finally moves the novel beyond cliché to become a sensitive examination of love, responsibility, and compassion. Ed, who frequents prostitutes for “simple pleasures and anonymity,” is stereotypically self-absorbed. Laura espouses a familiar plaint, tearfully admitting to feeling “lonely and trapped and so angry and then so sad, and he couldn’t see that I was disappearing, that I needed him.” Struggling to define herself, she secretly takes a job at a clothing boutique; when she becomes pregnant, she keeps that a secret, too, for four months. “Why the hell did it take you so long to notice?” she asks angrily when Ed finally does notice, as they are having sex in a locked classroom at the hospital. Trying to make Laura feel validated, Ed convinces her to teach art to some patients—and against her objections insists that Penelope take the class. Predictably, the girl proves to be impressively talented, producing, Laura sees, “an artist’s sketch, as good as anything I could do,” and intensifying her jealousy. Ed, innovating a policy of deinstitutionalizing high-functioning patients, sends Penelope back to her disgruntled parents, precipitating a crisis that changes his life and her own. The biggest change, though, is Ed’s fate, forcing the man who has only observed suffering to find himself—and Laura—at its vortex.
A predictable plot reveals emotional complexities.Pub Date: May 14, 2019
ISBN: 978-1-5011-8350-8
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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