by Virginia Sánchez-Korrol ‧ RELEASE DATE: May 31, 2018
Disappointing.
Two women fight for Puerto Rican independence in the late 1880s.
Inocencia Martínez is just 18 when the story opens, while Lola Rodríguez de Tío, the book’s other protagonist, is a married woman with children, but the two white women know each other from Doña Lola’s women’s political group. The pair are soon separated as liberationists in Puerto Rico are hounded by the Spanish colonizers. The choppy pacing of the plodding plot follows Lola and her family’s move to Cuba to avoid persecution. Meanwhile, Inocencia, in love with the political revolutionary Sotero Figueroa, who is described using the questionable term “mulatto” (given without sufficient context for modern readers), goes against her family’s wishes in courting him. Eventually the pair marry and move to New York City. There, Inocencia establishes a women’s group to support the causes of Puerto Rican and Cuban independence. Though her group purports to have racial equality as a goal, the fact that the narrative exoticizes Sotero—both actually calling him exotic and fetishizing the darkness of his skin—undermines this aim. With such interesting material, it’s unfortunate that the uneven pace and often awkward phrasing don’t do the subject matter justice. While more books about Latin American history are overdue, the conflicting content and lack of an engaging narrative will satisfy only the most avid historians.
Disappointing. (Historical fiction. 12-18)Pub Date: May 31, 2018
ISBN: 978-1-55885-865-7
Page Count: 258
Publisher: Piñata Books/Arte Público
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
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by Amber Smith ‧ RELEASE DATE: March 22, 2016
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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