A close-up look at the most popular figure within the social and political chaos that is today's Russia. The husband-and-wife team of Solovyov and Klepikova (Boris Yeltsin, 1992) have crafted a highly readable account of Zhirinovsky's rise to fame that presents the nationalist leader as a prism through which the bewildering problems of contemporary Russia are refracted. Russia is today faced with a paradoxical dilemma: how to protect democracy from the demagogue who would use democracy to destroy it. For the authors, the key to understanding Zhirinovsky is the Russian concept of the Vozhd', or supreme leader, the Russian equivalent of the German FÅhrer. In contrast to another recent biography (Vladimir Kartsev's !Zhirinovsky!, p. 360), Solovyov and Klepikova insist that Zhirinovsky was born a Jew and has ties to the KGBcharges that he vehemently denies. His anti-Semitism, the authors contend, is closer to that of Marx than Hitler, theoretical rather than visceral. Two photos presented here are revealing: In one, Zhirinovsky is humbly kissing the cross of an Orthodox priest; in another, he is seated at a stripper's club after attending an international conference in Helsinki. In the elections of December 1993, Zhirinovsky's misnamed Liberal Democratic Party garnered 24% of the popular vote. Was it a protest on the part of the Russians or, as the authors suggest, a rejection of democracy itself? The ``last poet of the Russian Empire,'' as the authors call him, Zhirinovsky clearly envisions himself as the savior of his people and many see him that way as well. While not an academic book, the text is enlivened with aphorisms from the great intellectuals of the 19th and 20th centuries such as Marx, Nietzsche, Kafka, Freud, and Gramsci, and spiced with the ancient wisdom of Russian proverbs and literature of Gogol, Pushkin, and others. An insightful and disturbing examination of a dictator-in-the- wings and the creation of a Russian form of fascism.
Pub Date: July 1, 1995
ISBN: 0-201-40948-8
Page Count: 272
Publisher: Addison-Wesley
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 1995
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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