by Vlasta Diamant ‧ RELEASE DATE: March 5, 2015
A deep, vibrant recollection of a fascinating life lived in tumultuous times.
Awards & Accolades
Our Verdict
GET IT
A debut memoir places the author’s personal history in the panoramic context of world events.
Memoirs have a tendency to collapse, failing to provide a justification to readers as to why they should care about the details of a particular life. Diamant weaves her own autobiography into the fabric of world history, furnishing a sweeping account of the troubled past of Yugoslavia. Having grown up in postwar Yugoslavia under Tito’s rule, the author portrays a nation struggling to discover, or invent, its identity. Diamant’s reflections on socialism, an ideology she eventually, if only partially, rebelled against, are philosophically provocative: “From the start, I was buffeted by contradictory influences. Socialism implanted in us notions of equality and justice for all, while everyday life demanded to either live accordingly or skirt those ideals.” She eventually left her homeland to study in West Germany, met an American in Munich whom she married, and moved to San Francisco, a hotbed of cultural vitality, in the 1970s. There, Diamant found her bearings as an artist, a development she doubted would have been possible if she hadn’t moved to the U.S. The author’s account includes nearly as much biographical information about her mother and grandmother as it does about herself, a testament to the extraordinary influences both women had upon her. (“Every child deserves a grandmother like mine,” Diamant writes. “She was never effusive, but everything said was meant and true.”) The author’s writing is clear and sharp, and her vivid anecdotal reports of her life are typically accompanied by meditative reflections on a wide range of issues, from geopolitics to poverty. The book describes her childhood as “poor but not miserable,” delivering a welcome counterpoint to Western depictions of life in postwar Yugoslavia that sensationally emphasize squalor and despair. The deaths of her mother and grandmother are poignantly discussed as transformative moments in her life, as is the dissolution of Yugoslavia, the three pillars of her self-conception. The memoir’s most satisfying aspect is the artful way the author seamlessly combines the general and the particular, making her own life a microcosm of universally relevant human dramas. In response to a postcard her uncle sent in 1938, she wrote: “What existential uncertainty—both personal and of the times.” The reader will likely feel the same about this affecting remembrance.
A deep, vibrant recollection of a fascinating life lived in tumultuous times.Pub Date: March 5, 2015
ISBN: 978-0-578-14200-5
Page Count: 258
Publisher: Applebite Works
Review Posted Online: Feb. 15, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.