Next book

DRAGONFISH

Right off the bat, Tran displays the most admirable and worthwhile gift a serious thriller writer can have: compassion...

A missing person mystery is delicately entwined with a heartbreaking story of migration and loss.

The Vietnam of the past and the Las Vegas of the present are vividly evoked in this debut novel in which hard-boiled noir is seamlessly blended with reminiscences of exile. A two-fisted policeman from Oakland, California, finds both his life and sense of certainty upended by Suzy, the Vietnamese wife who abandoned him with thwarted desires and unanswered questions. It turns out he’s not the only ex-husband looking for her. She’s now fled from a short-tempered smuggler named Sonny, who’s also a refugee from the fall of Saigon and leans on the reluctant cop hard enough to make him search her last-known whereabouts, Vegas. What the cop finds, to his surprise, is Suzy’s estranged daughter, Mai, a professional poker player who’s something of a tough-talking, hard-boiled case herself; though he also recognizes in Mai more than just a strong physical resemblance to Suzy: “I could see her mother’s stubbornness….All the loneliness that comes with refusing anything sensible the world gives you.” The author intersperses the mercurial tale of the search with long, detailed letters written to Mai by Suzy recounting the wrenching, often perilous passage from Vietnam in the mid-1970s to a Malaysian refugee camp. It is in this testimony that Tran’s writing achieves a fluidity and grace that make you share his enigmatic antiheroine’s aching loss and sense of dislocation. (One of the most resonant of these memories involves using pork fat to help gas up a boat used for escaping Vietnam and how it makes the hungry passengers remember restaurants and kitchens of their past lives.) He's on less solid footing bringing the policeman’s first-person narrative to life but nonetheless skillfully identifies the roots of whatever is stalking Mai, Suzy, and others with recriminations and regrets; much like the Vietnam War itself, which created such torment and whose sorrowful legacy resounds generations later.

Right off the bat, Tran displays the most admirable and worthwhile gift a serious thriller writer can have: compassion toward even the most disreputable of his characters.

Pub Date: Aug. 3, 2015

ISBN: 978-0-393-07780-3

Page Count: 320

Publisher: Norton

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

Close Quickview