by W. Bruce Lincoln ‧ RELEASE DATE: March 1, 1998
A Russian historian explores 1,000 years of Russian art within the context of ongoing political repression and brutality and a search for Russian identity. Lincoln (The Conquest of a Continent, 1993, etc.), whose writings are usually focused on political history, here presents a grand synthesis of Russia's artistic life in an effort to illuminate the ongoing struggles that paved the road to that country's enduring masterpieces. Lincoln's densely footnoted history will be welcomed by those seeking a comprehensive overview of Russian arts. But those seeking deeper insight or a new interpretation of Russian artistic life will be disappointed. As its title suggests, this volume leans heavily on exaggerated and dramatic frameworks. Conflicts and debates that have determined Russian political and artistic development for centuries dominate the narrative but do not lend it direction or depth. Thus, themes such as the ``eternal Russian dilemma'' of being caught between East and West, the chasm between Russia's elites and her masses, and the ongoing struggle against censorship and brutal political repression appear more as self-fulfilling prophesies than as real explanations for artistic endeavors. The chronically overwritten style detracts from Lincoln's narrative (Russian folk motifs were ``elevated into the artistic stratosphere'' by works of art; Crime and Punishment ``catapulted him [Dostoyevsky] to the pinnacle of greatness''), which is also marred by an overly passionate veneration of Russian national culture, revering the achievements of 19th-century Russia as the result of their uniquely Russian character. Flawed in its conception and narrative style, Lincoln's sweeping consideration of artistic life in Russia nevertheless offers a stimulating read because of the sheer power of its subject matter. (16 pages color and 16 pages b&w illustrations, not seen)
Pub Date: March 1, 1998
ISBN: 0-679-87568-6
Page Count: 544
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
Share your opinion of this book
More by W. Bruce Lincoln
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.