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RISE OF THE TAISHAKU

A skillful blend of political savvy, international espionage, and high drama.

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A covert operation of American and Japanese forces plans to extract an engineer with valuable intelligence from North Korea in this novel. 

Discovering a boat smuggling drugs off the coast of the Noto Peninsula, the Japanese Coast Guard pursues the vessel. The craft discharges sophisticated anti-ship missiles, inadvertently killing a fisherman and his young daughter. Wilson Bennett, an analyst for the U.S. National Security Council, believes there’s a possibility that the missiles are traceable to North Korea, an indication that the country has made considerable technological progress. In addition, the exportation of that technology into Japan, used in an attack on that nation’s military personnel, would constitute an act of war. Meanwhile, Bennett learns from a humanitarian group operating an underground transport of illicit supplies—including Bibles—into North Korea that an engineer, Pyong Hae Han, with access to highly classified information about the government’s progress developing a nuclear missile, is looking to defect. But that kind of exfiltration is highly problematic: First, an engineer working on such a secretive project would never be allowed to leave the country, which means his rescuers will have to cross the North Korean border. In addition, he won’t depart without his family, which includes a child stricken with muscular dystrophy. To further complicate matters, Bennett confesses that none of the engineer’s story—including his identity—is confirmable. Bennett teams up with Trinh Archer—a U.S. diplomat with an expertise in organized crime and drug smuggling—to plan the joint operation of American and Japanese troops. Archer’s life is endangered when the crime boss overseeing the smuggling operation—Takada Kano—decides the diplomat’s investigation threatens his business.  Radcliffe (Goraiko: Japan’s National Security in an Era of Asymmetric Threats, 2014, etc.) is astonishingly knowledgeable about a matrix of subjects around which the novel revolves: Asian regional affairs, Japanese politics and culture, military technology, and the murky world of global spying. This is a stunningly well-researched tale. And while the story is both dense and complex, the author’s prose is mercifully transparent, and the plot is structured in a way that maximizes clarity. In addition, the drama is simply gripping, and Radcliffe provides a fascinating portal into the most reclusive regime in the world, and the macabre deprivations of even its more privileged citizens. And as engrossing and action-packed as the story is, the author never skimps on the meaningful construction of his characters. Bennett emerges as a multifaceted protagonist, a hardened analyst who has seen the ugly depths of human depravity but still retains his idealistic commitments, presumably the vestigial influence of his parents, who worked as missionaries in Asia. Radcliffe occasionally succumbs to the charms of narrative formulas—Archer establishes her toughness by physically punishing a coarse American soldier. When she verbally threatens his friends, one responds: “Holy shit lady, you’re damn right we won’t touch you!” The depiction of the Japanese criminal underworld is susceptible to similar tropes, with shopworn fictional devices ostensibly used to assist the lazier reader. Nonetheless, this book is an immersive and educational experience. 

A skillful blend of political savvy, international espionage, and high drama. 

Pub Date: Feb. 14, 2018

ISBN: 978-1-983491-23-8

Page Count: 432

Publisher: CreateSpace

Review Posted Online: June 1, 2018

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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