by Walter Benn Michaels ‧ RELEASE DATE: Oct. 3, 2006
Identity is bunk. What’s in your wallet?
A radical critique of the nation’s penchant for highlighting diversity and ignoring financial inequality.
Michaels (English/Univ. of Illinois, Chicago; The Shape of the Signifier, 2004) says Americans would rather talk about racial, ethnic and gender differences than focus on the only difference that matters—some people are rich (and getting richer) and the rest are not. For years, as the gap between the rich and the poor has widened, “we’ve been urged to respect people’s identities—as if the problem of poverty would be solved if we just appreciated the poor,” he writes. In fact, the poor are not interested in diversity; they want to stop being poor, he says, noting there will never be a National Museum of Lower-Income Americans on the DC Mall. Drawing examples from current events, novels and popular culture, Michaels describes a national near-fetish with cultural diversity that manifests itself in everything from university enrollments to corporate hiring. Used to organizing the world racially, Americans keep doing it, finding it easier to fight racism rather than admit to class differences. The author excoriates both left and right, arguing that diversity satisfies both sides in the culture wars, permitting them to believe that “the fundamental problems of American society have nothing to do with capitalism.” His challenge to the nation’s dominant thinking can be unsettling, and he will provoke many with assertions minimizing the impact of discrimination in American life: He says, for example, that black intellectuals are simply nostalgic for the black culture that Jim Crow helped create, and that anti-Semitism has never been as significant as Negrophobia. By basking constantly in identity, Americans are able to avoid seeing and acting on class inequalities. Thus, says the author, some critics mistakenly chose to see President Bush as anti-black—not anti-poor—in his handling of Hurricane Katrina, when in fact not many rich black people were left behind in New Orleans.
Identity is bunk. What’s in your wallet?Pub Date: Oct. 3, 2006
ISBN: 0-8050-7841-X
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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