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PATROL

AN AMERICAN SOLDIER IN VIETNAM

Myers returns to the setting of his award-winning Fallen Angels (1988) with a stunning, unsettling picture book that attempts to put the reader into the heart and mind of an American soldier in Vietnam. The stream-of-consciousness narration takes the reader along on one patrol, as the unnamed grunt picks his way through the landscape, exchanges fire with “the enemy,” “secures” a village with the aid of grenades, and is airlifted back to the base. The spare, poetic text is written in the present tense, lending immediacy, and is packed with sensory details: “I lift my rifle and begin to rub the palm of my hand slowly along / its wooden stock. / The weather is hot, but the sweat that runs down my back feels cold.” Although the reader is told he moves with his squad, the protagonist seems to exist in psychic isolation and overload as he continually grapples with his uncertain understanding of his place, both physical and moral, relative to his enemy: “Crouched against a tree older than my grandfather, / I imagine the enemy crouching against / a tree older than his grandfather.” Grifalconi’s (One of the Problems of Everett Anderson, not reviewed, etc.) collage illustrations are remarkable, and suitably disturbing. A jungle effect is created by overlapping photographs of trees with close-up details of leaves, marbled paper, and negative space—all of which virtually overwhelm the human figures. The effect is claustrophobic and highly disorienting, made all the more so when the reader notices that the foliage is largely North American: maples and spruce appear, frequently with jolly wildflowers in the foreground. The selection of fauna is likewise confused and confusing: on one page, a giant snake rests its coils in the branches of a spruce; on the next, a quail stands next to an egret. These surreal illustrations brilliantly extend the text’s central question: just who is the enemy—and why, when he and I are so alike?—in this, the “land of my enemy?” Not exactly a fun read, but highly effective and very important. (Picture book. 8-12)

Pub Date: May 1, 2002

ISBN: 0-06-028363-7

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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GLORY BE

Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl...

The closing of her favorite swimming pool opens 11-year-old Gloriana Hemphill’s eyes to the ugliness of racism in a small Mississippi town in 1964.

Glory can’t believe it… the Hanging Moss Community Pool is closing right before her July Fourth birthday. Not only that, she finds out the closure’s not for the claimed repairs needed, but so Negroes can’t swim there. Tensions have been building since “Freedom Workers” from the North started shaking up status quo, and Glory finds herself embroiled in it when her new, white friend from Ohio boldly drinks from the “Colored Only” fountain. The Hemphills’ African-American maid, Emma, a mother figure to Glory and her sister Jesslyn, tells her, “Don’t be worrying about what you can’t fix, Glory honey.” But Glory does, becoming an activist herself when she writes an indignant letter to the newspaper likening “hateful prejudice” to “dog doo” that makes her preacher papa proud. When she’s not saving the world, reading Nancy Drew or eating Dreamsicles, Glory shares the heartache of being the kid sister of a preoccupied teenager, friendship gone awry and the terrible cost of blabbing people’s secrets… mostly in a humorously sassy first-person voice.

Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl who takes a stand. (Historical fiction. 9-12)

Pub Date: Jan. 1, 2012

ISBN: 978-0-545-33180-7

Page Count: 208

Publisher: Scholastic

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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AHIMSA

This 2015 New Visions Award winner offers a complex narrative and inspires readers to check their privilege to address...

Although Kelkar’s debut novel takes place in colonial India in the 1940s, when Indian citizens were fighting for independence from British rule, it is uncannily timely: 10-year old Anjali grapples with issues of social justice in many of the same ways young people are today.

When Anjali’s mother quits her job to become a freedom fighter, Anjali is reluctant to join the struggle, as it means she will have to eschew her decorated skirts and wear home-spun khadi (hand-woven cotton) instead, inviting the mockery of her school nemeses. But as her relationship with her mother evolves, her experience of and commitment to activism change as well. When her mother is imprisoned and commences a hunger strike, Anjali continues her work and begins to unlearn her prejudices. According to an author’s note, Kelkar was inspired by the biography of her great-grandmother Anasuyabai Kale, and the tale is enriched by the author’s proximity to the subject matter and access to primary sources. Kelkar also complicates Western impressions of Mohandas K. “Mahatma” Gandhi—Anjali realizes that Gandhi is flawed—and introduces readers to Dr. B.R. Ambedkar, a figure rarely mentioned in texts for young people in the United States but who is best known for campaigning against social discrimination of Dalits, or members of India’s lower castes.

This 2015 New Visions Award winner offers a complex narrative and inspires readers to check their privilege to address ongoing injustices. (Historical fiction. 8-12)

Pub Date: Oct. 1, 2017

ISBN: 978-1-62014-356-8

Page Count: 304

Publisher: Tu Books

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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