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1812

THE WAR THAT FORGED A NATION

A solid performance, though, placing key events in a larger perspective without playing down the vast stupidity of many of...

Western historian Borneman (Alaska, 2003, etc.) argues that the war of 1812, often dismissed as a sideshow to European events, had a profound impact on US history.

He begins by examining the conflict’s origins. The English practice of impressing seamen from American vessels was the most widely cited casus belli at the time (and the one most of us read about in high-school history class). Equally important was the outspoken desire of many Westerners, including Andrew Jackson and William Henry Harrison, to annex more territory, including as much of Canada as the US could grab. Much of the war was fought on the Canadian front, including several key naval battles on the Great Lakes. When invading US troops burned the Canadian city of York (later renamed Toronto), the English—temporarily free from the threat of Napoleon—retaliated by burning Washington and bombarding Baltimore’s Fort McHenry before retiring. Borneman does a good job of showing how the American war was, in English eyes, a sideshow to the struggles taking place in Europe. Wellington was one of several English generals who declined the command of the armies sent to America, which by 1814 included veterans of the Napoleonic wars. James Madison, vastly unpopular in New England (which seriously considered seceding from the Union), sent his best diplomats to attempt to negotiate a truce; England was willing, but saw no urgency to give in on the issue of impressment. When a deal was finally struck, it arrived too late to prevent the war’s culminating Battle of New Orleans, in which Andrew Jackson defeated a crack British army. Borneman argues, perhaps a bit too glibly, that the war effectively cemented the American union in the eyes of its citizens.

A solid performance, though, placing key events in a larger perspective without playing down the vast stupidity of many of the participants.

Pub Date: Oct. 1, 2004

ISBN: 0-06-053112-6

Page Count: 368

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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