ORIGINS OF A CATASTROPHE

YUGOSLAVIA AND ITS DESTROYERS

Another coroner's report on the death of Yugoslavia, this time by an observer with a literary bent, the US's last ambassador to that vanished nation. Zimmermann was posted to Belgrade in 1989, and his account begins with this period of tangible decline and ends with the final breakdown of talks among the republics and the eruption of violence in Slovenia, Croatia, and Bosnia-Herzegovina. Zimmermann unambiguously places principal blame for the demise of Yugoslavia on Serbia's Slobodan Milosevi, whom he judges ``an opportunist rather than an ideologue,'' a Jekyll-and-Hyde type dominated by his darker side. He views Croatia's leader, Franjo Tudjman, as a nationalist whose ``devotion to Croatia was of the most narrow- minded sort.'' And while myriad domestic and international players had a hand in Yugoslavia's demise, it was these two individuals, he argues, who are most responsible for the country's dissolution. Zimmermann drives home several significant points that are too often overlooked: Countering those who attribute the crisis to ``ancient Balkan hostilities,'' he stresses the crucial influences of a modern agent, television, in provoking extreme nationalism. Zimmermann also emphasizes the countless decent people who consistently opposed virulent nationalism. Any hope for the future lies with this reserve of Yugoslav humanists, who may ``one day help to build societies not driven by rabid nationalism.'' Finally, the diplomat draws universal lessons from the Yugoslav experience. From questions of minority rights to the international community's ability to meet ethnic challenges, ``the issues fought out with such savagery in Yugoslavia . . . apply around the globe.'' Zimmermann represents the best of the Foreign Service—a dedicated professional who brings both learned and instinctual insight to his work. His timely insider analysis is enlivened with unforgettable portraits of a bizarre cast of characters. (Author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-8129-6399-7

Page Count: 256

Publisher: Times/Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1996

Did you like this book?

No Comments Yet

SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1995

Did you like this book?

No Comments Yet

A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.

THIS IS SHAKESPEARE

A brisk study of 20 of the Bard’s plays, focused on stripping off four centuries of overcooked analysis and tangled reinterpretations.

“I don’t really care what he might have meant, nor should you,” writes Smith (Shakespeare Studies/Oxford Univ.; Shakespeare’s First Folio: Four Centuries of an Iconic Book, 2016, etc.) in the introduction to this collection. Noting the “gappy” quality of many of his plays—i.e., the dearth of stage directions, the odd tonal and plot twists—the author strives to fill those gaps not with psychological analyses but rather historical context for the ambiguities. She’s less concerned, for instance, with whether Hamlet represents the first flower of the modern mind and instead keys into how the melancholy Dane and his father share a name, making it a study of “cumulative nostalgia” and our difficulty in escaping our pasts. Falstaff’s repeated appearances in multiple plays speak to Shakespeare’s crowd-pleasing tendencies. A Midsummer Night’s Dream is a bawdier and darker exploration of marriage than its teen-friendly interpretations suggest. Smith’s strict-constructionist analyses of the plays can be illuminating: Her understanding of British mores and theater culture in the Elizabethan era explains why Richard III only half-heartedly abandons its charismatic title character, and she is insightful in her discussion of how Twelfth Night labors to return to heterosexual convention after introducing a host of queer tropes. Smith's Shakespeare is eminently fallible, collaborative, and innovative, deliberately warping play structures and then sorting out how much he needs to un-warp them. Yet the book is neither scholarly nor as patiently introductory as works by experts like Stephen Greenblatt. Attempts to goose the language with hipper references—Much Ado About Nothing highlights the “ ‘bros before hoes’ ethic of the military,” and Falstaff is likened to Homer Simpson—mostly fall flat.

A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.

Pub Date: April 21, 2020

ISBN: 978-1-5247-4854-8

Page Count: 368

Publisher: Pantheon

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

No Comments Yet
more