by Wayne Everett Goins ‧ RELEASE DATE: Sept. 1, 2014
For blues aficionados, Goins provides a wealth of information on one of the underacknowledged masters of the Chicago sound.
Biography of blues guitarist Jimmy Rogers (1924-1997), who “created a truly enduring sound that has made a direct impact on every generation that followed.”
Without his association with Muddy Waters, Rogers might be just a musical footnote, an artist whose one hit, “Walking by Myself,” enjoyed minimal commercial success. However, as Goins (Director of Jazz/Kansas State Univ.; Emotional Response to Music: Pat Metheny’s Secret Story, 2001) reiterates throughout, Muddy Waters might not have been Muddy Waters without Rogers, whose guitar was integral to perhaps the finest band in the history of Chicago blues. As much as mercurial harmonica master Little Walter or, later, piano stylist Otis Spann, Rogers was integral to the development and popularity of Muddy’s music, complementing the raw Southern sound of the frontman’s vocals and slide guitar. Of the sound that the two guitarists developed together, the author writes, their “relationship…was somewhere between two ballet dancers and two heavyweight boxers. They could sling each other around the room and never lose faith in one’s ability to catch the other. They could throw hard jabs at each other yet never catch a blow to the body.” Goins never lapses into academic impenetrability, and he demonstrates an impressive passion and ear for the music. Particularly lively are his illumination of the bustling Maxwell Street scene and his analysis of the 1970s blues revival in Austin, Texas, and along the coasts, which brought Rogers out of early musical retirement to attain a popularity beyond anything he’d experienced before—as well as financial success, including royalties from the likes of Eric Clapton recording his songs. However, the book could use some judicious cutting and editing, since it seems to include everything that anyone ever said in print about Rogers, as well as the name of every musician, club owner and tour promoter with whom he worked.
For blues aficionados, Goins provides a wealth of information on one of the underacknowledged masters of the Chicago sound.Pub Date: Sept. 1, 2014
ISBN: 978-0-252-08017-3
Page Count: 416
Publisher: Univ. of Illinois
Review Posted Online: July 13, 2014
Kirkus Reviews Issue: Aug. 1, 2014
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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