An underdeveloped romance about a pilot that ultimately fails to take flight.

The Arrangement

In McFall’s debut novel, a free-spirited woman and a mild-mannered man fall in love and try to make their marriage work, despite a host of obstacles.

After Ian meets the spunky, high-spirited Joanne, he finds that she’s fun and beautiful but also very moody and mercurial. Furthermore, her job as a pilot takes her far away at odd times, which makes commitment difficult. Still, over time, the two develop their relationship and eventually get married. But although Ian is blissfully happy, Joanne continues to feel stifled—a feeling that only intensifies after she gets pregnant and later gives birth to her daughter, Maris. The little girl quickly becomes the apple of her father’s eye, but her mother merely disdains her. Later, Joanne gives up any pretense of remaining faithful to Ian and goes on to have multiple affairs. The simmering tension boils over when one of Maris’ friend’s mothers turns out to be Ian’s old flame. McFall has certainly constructed an intriguing idea for a story. Joanne, in particular, has the makings of an offbeat female character—one who’s genuinely dissatisfied with domestic life but drawn into it nonetheless due to society’s expectations. Unfortunately, the author doesn’t give her nearly enough depth, and the character merely comes across as unhappy and mean-spirited. Her motivations for marriage and having children are completely obscure; she taunts her daughter with nicknames such as “Hooch,” and she never displays the humanity or complexity that would make Ian stay with her. Maris, by contrast, is overly idealized as she demonstrates kindness, bravery, and a truly remarkable flair for languages; her ability to speak perfect Japanese even drives an important twist near the story’s end. The plot conflicts, though, feel one-sided, and in the end, the overall lack of character development and superficial storytelling hold the novel back.

An underdeveloped romance about a pilot that ultimately fails to take flight.

Pub Date: March 10, 2010

ISBN: 978-1449089184

Page Count: 132

Publisher: AuthorHouse

Review Posted Online: May 5, 2015

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A vivid sequel that strains credulity.

THE ESCAPE ARTIST

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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