by Wayne Rudolph Davidson ‧ RELEASE DATE: Sept. 16, 2015
A long-winded but immersive chronicle.
The story of an African-American born shortly before the civil rights movement of the 1960s.
Davidson’s (When Clans Collide, 2013, etc.) second memoir of a planned trilogy picks up where his previous book left off: his parents’ migration to the industrial North from the agricultural South, where they experienced institutional discrimination. At one point, Davidson recounts a moment of “discombobulation” after a classmate socked him on the jaw, leaving him bewildered and angry. These two feelings went on to comprise most of his reactions to events in his life, including his involvement in a neighborhood he dubs “Stupidville,” where drugs ran rampant and danger lurked. Davidson offers abstract descriptions of his interactions in Stupidville, rather than recounting his substance abuse in detail, but his reckless ways led him to blow paychecks earned during stints as a lineman in Detroit car factories and as a general laborer and made him miss the birth of his first daughter. Davidson finally escaped Stupidville, if not all the habits he learned there, when he joined the military in 1979 at the age of 28. The next decade saw him divorce his first wife and marry a woman he met in the military, eventually moving with her and their daughters to a string of Army bases in Germany, Arizona, Alaska, and Missouri. Later, Davidson earned a Ph.D., became a teacher, and joined the Toastmaster’s Club in order to become a practiced public speaker. Throughout this slow-paced book, Davidson often digresses, describing seemingly insignificant vignettes in an almost gossipy tone. The book’s structure breaks up his life into four segments centered mainly on his childhood, young-adulthood, military career, and present-day life. He does weave in colorful details from each era, describing music, reflecting on popular culture, and offering his views of important historical events. Each section ends with a list of milestones, along with what he calls “knucklehead incidents”—the results of foolish choices that he and his cohorts made. Although Davidson’s memoir isn’t explicitly about overcoming substance abuse, it takes a redemptive view of his rise from “Stupidville” while also remaining wary of the threat of slipping back into his old ways. He effectively presents his story as a cautionary tale marred by drugs, violence, anger issues, and infidelity.
A long-winded but immersive chronicle.Pub Date: Sept. 16, 2015
ISBN: 978-1-4582-1913-8
Page Count: 508
Publisher: AbbottPress
Review Posted Online: Oct. 31, 2015
Review Program: Kirkus Indie
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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