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YELLOWSTONE AUTUMN

A SEASON OF DISCOVERY IN A WONDROUS LAND

A pleasure for men entering autumn, and for anyone who knows how to flick a line.

Meditations on the art of angling, mortality and more in one of those charged places where meditations come easily—Yellowstone National Park.

Yellowstone is now in the news for its disconcertingly rumbling volcanoes, but Wetherell (Soccer Dad: A Father, a Son, and a Magic Season, 2008, etc.) inclines to timelessness and the eternal verities, since he is confronting the specter of turning 55, “the real big 5-5, not the phony big 5-0 that I had passed in a breeze.” When a man of a certain leaning has to face such portentous moments, he does so with reel in hand. “For most people,” writes the author, “trout fishing is a much handier motive than philosophy.” That sentiment echoes Norman Maclean, the great philosopher of American rivers, but Wetherell does more than echo. He offers a refreshingly original set of observations on all manner of things, particularly the advance of years, which men are supposed to endure stoically and with mouths clamped shut. Echoes of Robert Bly and Iron John? Some, but there’s none of Bly’s touchy-feely, drum-circle squishiness here. Instead, Wetherell recommends that men of his age light out for the territory, as Roald Amundsen set off for the poles and, at 54, dreamed of traversing the Arctic in a zeppelin. Men of his age, arthritic but increasingly wise, are not supposed to spend much time staring into mirrors, Wetherell counsels, even though, as he notes in passing, Montaigne wisely said, “Old age plants more wrinkles in the mind than it does on the face.” Looking into a glassy trout stream makes for a seemly substitute. So Wetherell, pondering the history and meaning of wild Yellowstone, concludes that fishing is what matters in life, and ties on a “big Wooly Bugger and [plays] the chuck-and-duck game instead.”

A pleasure for men entering autumn, and for anyone who knows how to flick a line.

Pub Date: March 1, 2009

ISBN: 978-0-8032-1130-8

Page Count: 178

Publisher: Univ. of Nebraska

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2009

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LOST MOUNTAIN

RADICAL STRIP MINING AND THE DEVASTATION OF APPALACHIA

A portrait of coal country as stark and galvanizing as Harry Caudill’s classic Night Comes to the Cumberland (1962).

Reece (English/Univ. of Kentucky) spent 2003–04 closely observing the sickly, strip-mined reaches of a mountain in Kentucky’s Appalachia; his book stands witness to its devouring.

In the old days of contour mining, excavations were carried out along ridgelines. Now the name of the game is mountaintop removal: Blast the high ground to smithereens, scavenge the detritus and plow the waste into the valley below, like so much toxic dust swept under the rug. Reece chronicles these ecological scalpings in anxious chapters written with an eye for abiding, catastrophic imagery. He does not lack material. Once a superb mesophytic forest habitat with an abundant diversity of species, a crumpled and intimate landscape of weathered peaks rich in flora and fauna, the region now resembles the buttes of the American West; pretty as they are in Arizona, they are deeply alien and a sign of trouble in the East. Creeks run orange with sulfuric acid and heavy metals; wells are polluted; the foundations of local homes have cracked; and the local population suffers from illnesses obviously related to the poisoning of the environment. Union protection for workers and citizens is a laugh, government oversight under the Bush administration is a travesty: The current Deputy Secretary of the Interior, Steven Griles, is a former coal lobbyist. Orwell and Kafka in their bleakest moments would have felt right at home in Appalachian Kentucky, mired in corruption and class warfare. Reece appreciates the need for some common ground, but is there no way, he asks, that the local economy can sustain itself without destroying the cerulean warbler and the very skyline?

A portrait of coal country as stark and galvanizing as Harry Caudill’s classic Night Comes to the Cumberland (1962).

Pub Date: Feb. 2, 2006

ISBN: 1-59448-908-4

Page Count: 240

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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HELPING ME HELP MYSELF

ONE SKEPTIC, TEN SELF-HELP GURUS, AND A YEAR ON THE BRINK OF THE COMFORT ZONE

Funny, perceptive and surprisingly open-hearted under the cynicism.

A delightful, Plimptonesque exercise in immersive journalism exploring the strange world of “self-help.”

Lisick (Everybody into the Pool: True Tales, 2005, etc.) devoted a year to various gurus in an attempt to self-actualize. She endeavored to become a Highly Effective Person under the auspices of Stephen Covey, to fortify her soul with Jack Canfield’s Chicken Soup, to get fit with Richard Simmons on a cruise ship, to straighten out her perilous finances with Suze Orman, to consistently discipline her young son with Thomas Phelan’s 1-2-3 Magic method, to figure out John Gray’s Mars/Venus gender dichotomy, and generally to live a better, happier life. It is to the reader’s great benefit that Lisick is: 1) a mess, 2) cynical and horrified of cheesiness, and C) effortlessly funny. Her visualizations didn’t go right, she didn’t have the right clothes for the ghastly seminars and on Simmons’s cruise she got high and made inappropriate advances to a surly young musician accompanying his mother. Lisick makes keen use of comic detail, as when she charts the deflation of Simmons’s hair over the course of the cruise. She is tough on the well-paid experts, but fair, sincerely laboring to suspend her skepticism and game to put their advice into action. Some of it works: A home-organization expert helps Lisick’s family emerge from their chaotic clutter, and Phelan’s discipline strategy tames her truculent toddler. But of course the book is funniest when things don’t go so well. The author’s revulsion over Gray’s retrograde sexual stereotypes (and disturbingly smooth, buffed appearance) is palpable and highly amusing. Her articulate hatred of the anodyne platitudes in Julia Cameron’s The Artist’s Way provides a tonic for anyone dismayed by fuzzy New Age smugness. None of that from Lisick, who is sharp, irreverent and endearingly screwed-up. Her experiment may not have solved all of her problems, but she got an enjoyable book out of it.

Funny, perceptive and surprisingly open-hearted under the cynicism.

Pub Date: Jan. 2, 2008

ISBN: 978-0-06-114396-0

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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