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LUCKY CAT AND THE GODS OF WAR

From the Lucky Cat series , Vol. 3

This engaging and complex series installment offers fans more supernatural maneuvering.

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This third volume of an SF series about magical figurines explores a dangerous political faction and a gritty resistance group.

In Chicago in 2075, Shiren Tsai helps his father, Zhengyan, run the Mandarin Duck Lounge. Zhengyan is dismayed by the rise of the Futurists’ Task Force in Britain, but his son is skeptical of any danger. Though this new political faction claims to represent “prosperity, unity, and peace,” it apparently makes strides via drone strikes and AI soldiers that kill civilians. The True Bystander, an underground newspaper, reports the murder of Giséle Guerin, a seer in the Chamonix region of France. The Futurists fear culture, and humanity’s spiritual connections pose the greatest threat to their unified world. By 2079, the Futurists have taken over North America and formed the superstate of Atlantia. To combat this fascist monoculture, an enigmatic woman called the Empress begins contacting those willing to fight through their dreams. In 2101, after the formation of three superstates, Chika Hagiwara lives in the fenced-off village of Tyosha in the Eurasia superstate. She joins the resistance Movement at her local Sleep Clinic. A Lucky Cat supernatural doll named Shanalandra, who comes to life and can change size, eventually brings Chika to meet the Empress at Nambata Castle, where they prepare to attack Eurasia’s leader, Hanxu Xing. In this follow-up to Lucky Cat and the Snow Maiden’s Vengeance (2018), Gray continues to add meticulous layers to her saga of spirit-animated figurines battling for humanity’s freedom. The grisly acts committed by the superstates are numerous, including when Chika “watched the sentinels shoot the burning figure...to make sure the victim was dead.” But as fans of the series know, the author’s portrayal of magic is subtle and rewarding. Within Nambata Castle is a “cloud of swirling snowflakes” in which “the souls of the dead wept with displeasure at their fate.” Yet while grand in scope, the drama often feels diffused across too many jumps in time. The question of whether or not to kill Xing’s son provides a flashpoint in a story that sometimes feels bigger than its characters.

This engaging and complex series installment offers fans more supernatural maneuvering.

Pub Date: March 31, 2019

ISBN: 978-1-79703-382-2

Page Count: 262

Publisher: Self

Review Posted Online: Feb. 13, 2020

Kirkus Reviews Issue: April 1, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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