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LUCKY CAT AND THE GODS OF WAR by Wendelin Gray

LUCKY CAT AND THE GODS OF WAR

From the Lucky Cat series, volume 3

by Wendelin Gray

Pub Date: March 31st, 2019
ISBN: 978-1-79703-382-2
Publisher: Self

This third volume of an SF series about magical figurines explores a dangerous political faction and a gritty resistance group.

In Chicago in 2075, Shiren Tsai helps his father, Zhengyan, run the Mandarin Duck Lounge. Zhengyan is dismayed by the rise of the Futurists’ Task Force in Britain, but his son is skeptical of any danger. Though this new political faction claims to represent “prosperity, unity, and peace,” it apparently makes strides via drone strikes and AI soldiers that kill civilians. The True Bystander, an underground newspaper, reports the murder of Giséle Guerin, a seer in the Chamonix region of France. The Futurists fear culture, and humanity’s spiritual connections pose the greatest threat to their unified world. By 2079, the Futurists have taken over North America and formed the superstate of Atlantia. To combat this fascist monoculture, an enigmatic woman called the Empress begins contacting those willing to fight through their dreams. In 2101, after the formation of three superstates, Chika Hagiwara lives in the fenced-off village of Tyosha in the Eurasia superstate. She joins the resistance Movement at her local Sleep Clinic. A Lucky Cat supernatural doll named Shanalandra, who comes to life and can change size, eventually brings Chika to meet the Empress at Nambata Castle, where they prepare to attack Eurasia’s leader, Hanxu Xing. In this follow-up to Lucky Cat and the Snow Maiden’s Vengeance (2018), Gray continues to add meticulous layers to her saga of spirit-animated figurines battling for humanity’s freedom. The grisly acts committed by the superstates are numerous, including when Chika “watched the sentinels shoot the burning figure...to make sure the victim was dead.” But as fans of the series know, the author’s portrayal of magic is subtle and rewarding. Within Nambata Castle is a “cloud of swirling snowflakes” in which “the souls of the dead wept with displeasure at their fate.” Yet while grand in scope, the drama often feels diffused across too many jumps in time. The question of whether or not to kill Xing’s son provides a flashpoint in a story that sometimes feels bigger than its characters.

This engaging and complex series installment offers fans more supernatural maneuvering.