Another absorbing, entertaining entry in this one-of-a-kind SF series.
In this sequel, humanity remains controlled by three superstates, which come under attack from supernatural monsters.
In the author’s SF series opener (Kumori and the Lucky Cat, 2016), three powerful superstates arose after World War 3. In 2090, they find themselves opposed by statues, figurines, and dolls come to monstrous life. This second outing also includes events around 2090 but skips ahead to 2101 and backward to 2080. In 2101, a young lawyer from New Bangkok, the capital city of the Eurasia superstate, is sent to investigate irregularities at a detention camp, one of several built during the Reorganization to control people left in some “forbidden zones” considered dangerous, such as Japan. She finds a journal from 2090 noting the awakening of inanimate dolls and sculptures: “They are now more than just clay or stone or resin. Something else has entered them, using their empty forms to fight a secret war.” In 2090, Suna Hagiwara and her niece are resettled in New Bangkok, bringing with them a maneki-neko (beckoning cat statue), and Suna is drawn into the resistance Movement. Ten years before that, Suna’s sister, Yuki, is commissioned to make a special set of dolls. One of these, the Empress, enters the dreams of people in a sleep clinic that’s a front for the Movement, and Suna’s awakened maneki-neko promises to become clan guardian of the Hagiwaras. Gray (Magic Hair, 2019, etc.) has a nice control of the tone in these series installments, a delicate precision that helps balance the drama of dystopian fears and supernatural battles: “A barely whispered sigh so unearthly and gentle that it was almost imperceptible to human ears. Let this curse fall upon them.” Her characters are well developed and the worldbuilding feels solid. Things do still feel unresolved by the book’s ending, although the third volume may bring resolution. The jumps between time settings could become confusing, but the author helps readers out with an appended timeline as well as chapter headings with date and place to keep the audience oriented.
Another absorbing, entertaining entry in this one-of-a-kind SF series.Pub Date: Oct. 23, 2018
ISBN: 978-1-72637-555-9
Page Count: 213
Publisher: CreateSpace
Review Posted Online: Dec. 10, 2019
Kirkus Reviews Issue: Feb. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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