MURDER IN THE GREEK ISLES

Murder is the least of the disruptions in Jesse O’Hara’s latest barnstormer.

Giving a presentation at the International Conference on Law Enforcement and Investigation isn’t a first choice for Jesse, a forensic accountant with a “million-dollar brain and ten-cent personality.” But the scenic location is certainly an enticement. So is her growing certainty that her mortal enemy Svetlana Ivashchenko, the ruthless head of Rusgaprom, knows that she’s been staying with her best friend, Salbatore “Sam” Hernandez, and could strike at any moment. So Jesse, Sam, and their partner, computer nerd Gideon Spielberg, take off for Greece, where they’re recruited by Eleftherios Karadimitropoulos, head of Special Projects for the Ministry of Citizen Protection, for a routine job that quickly morphs into another job, then another and another. The escalating stakes will draw Jesse—or Dr. O’Hara, as she’s constantly introducing herself—into an uncomfortably extended face-off with Platon, head of the antigovernment group the Megali Titans, who whisks Gideon away, summons Jesse and Sam to his hush-hush retreat, and suavely forces them to break his valued associate Apollo out of a Turkish prison. The biggest treat here is Jesse’s yadda-yadda first-person voice as she reacts with impatience and annoyance but never fear to the bombing of her hotel, the improbable plot to rescue Apollo, the ritualistic juggling of allegiances, and the repeated return from the shadows of Svetlana and Jesse’s own father, whom she’s tuned out ever since his drunk driving killed her mother. So there’s no downtime, just one jolt after another, including a couple of murders, until readers are likely to feel just as overstimulated as the heroine.

Part battle to the death, part tour guide.