by Wendy Mass ‧ RELEASE DATE: April 1, 2003
A young teen whose world is filled with colors and shapes that no one else sees copes with the universal and competing drives to be unique and to be utterly and totally normal. Thirteen-year-old Mia is a synesthete: her brain connects her visual and auditory systems so that when she hears, or thinks about, sounds and words, they carry with them associated colors and shapes that fill the air about her. This is a boon in many ways—she excels in history because she can remember dates by their colors—and a curse. Ever since she realized her difference, she has concealed her ability, until algebra defeats her: “Normally an x is a shiny maroon color, like a ripe cherry. But here an x has to stand for an unknown number. But I can’t make myself assign the x any other color than maroon, and there are no maroon-colored numbers. . . . I’m lost in shades of gray and want to scream in frustration.” When Mia learns that she is not alone, she begins to explore the lore and community of synesthesia, a process that disrupts her relationships with her family, friends, and even herself. In her fiction debut for children, Mass has created a memorable protagonist whose colors enhance but do not define her dreamily artistic character. The present-tense narration lends immediacy and impact to Mia’s color perceptions: “Each high-pitched meow sends Sunkist-orange coils dancing in front of me. . . . ” The narrative, however, is rather overfull of details—a crazily built house, highly idiosyncratic family members, two boy interests, a beloved sick cat—which tend to compete for the reader’s attention in much the same way as Mia’s colors. This flaw (not unusual with first novels) aside, here is a quietly unusual and promising offering. (Fiction. 9-13)
Pub Date: April 1, 2003
ISBN: 0-316-52388-7
Page Count: 224
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
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by Wendy Mass ; illustrated by Gabi Mendez ; color by Cai Tse
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by Shana Burg ‧ RELEASE DATE: June 12, 2012
Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable...
Melding the colors of heartache and loss with painterly strokes, Burg creates a vivid work of art about a girl grieving for her recently deceased mother against a Third World backdrop.
Clare is not speaking to her father. She has vowed never to speak to him again. Which could be tough, since the pair just touched down in Malawi. There, Clare finds herself struck by the contrast between American wealth and the relatively bare-bones existence of her new friends. Drowning in mourning and enraged at the emptiness of grief, Clare is a hurricane of early-adolescent emotions. Her anger toward her father crackles like lightning in the treetops. She finds purpose, though, in teaching English to the younger children, which leads her out of grief. Burg’s imagery shimmers. “The girl talks to her mother in a language that sounds like fireworks, full of bursts and pops. She holds her hand over her mouth giggling.... She probably has so many minutes with her mother, she can’t even count them.” Her realization of the setting and appreciation for the Malawian people are so successful that they compensate for Clare's wallowing, which sometimes feels contrived.
Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable disparities. (Fiction. 9-12)Pub Date: June 12, 2012
ISBN: 978-0-385-73471-4
Page Count: 256
Publisher: Delacorte
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
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by Jacqueline Woodson ‧ RELEASE DATE: Sept. 1, 1998
Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books.
In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence.
Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He’s the only child of celebrity parents; she’s the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father’s warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie.
Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books. (Fiction. 11-13)Pub Date: Sept. 1, 1998
ISBN: 0-399-23112-9
Page Count: 181
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
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