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BEAUTY AND THE BEAST

THE ONLY ONE WHO DIDN'T RUN AWAY

From the Twice Upon a Time series

Absolutely no villains—even the witch who cast the spell gets to turn herself into a cat to accompany her feline...

A reasonably charming middle-grade version of "Beauty and the Beast" has little bite.

Told in alternating chapters by Beauty and the Beast, who is really a prince named Riley, this takes place in a sort of medieval world (travel by carriage and horseback, inns with straw beds) but has a sharp contemporary tone. Beauty has an older sister who is beautiful and accomplished and pretty nice, and Riley has an older brother whose perfection is somewhat marred by the fact that it is his comments to the witch they encounter that gets Riley turned into the Beast. The story takes a very long time to get started, as Beauty needs to go on a quest of her own before she can rescue the Beast with a kiss. While that quest provides a glowing pink talisman that helps save Riley/the Beast, the connections between the first half and the second half of the story don’t always adhere. But Beauty and the Beast share an interest in science, a lack of interest in fuss and folderol, and more than one very sweet kiss. It’s all so clean and lighthearted and safe that readers accustomed to any edge at all might find their teeth aching; on the other hand, it is part of a series that has found its audience.

Absolutely no villains—even the witch who cast the spell gets to turn herself into a cat to accompany her feline companion—and a bunch of supportive parents, siblings and buddies make for a squeaky-clean read . (Fantasy. 8-12)

Pub Date: June 1, 2012

ISBN: 978-0-545-31018-5

Page Count: 288

Publisher: Scholastic

Review Posted Online: April 24, 2012

Kirkus Reviews Issue: May 15, 2012

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WORDS WITH WINGS

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.

Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

Pub Date: Sept. 1, 2013

ISBN: 978-1-59078-985-8

Page Count: 96

Publisher: Wordsong/Boyds Mills

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE NEWSPAPER CLUB

From the Newspaper Club series , Vol. 1

Nellie Bly’s contemporary namesake does her proud.

Eleven-year-old Nellie’s investigative reporting leads her to solve a mystery, start a newspaper, and learn key lessons about growing up.

Nellie’s voice is frank and often funny—and always full of information about newspapers. She tells readers of the first meeting of her newspaper club and then says, “But maybe I’m burying the lede…what Dad calls it when a reporter puts the most interesting part…in the middle or toward the end.” (This and other journalism vocabulary is formally defined in a closing glossary.) She backtracks to earlier that summer, when she and her mother were newly moved into a house next to her mother’s best friend in rural Bear Creek, Maine. Nellie explains that the newspaper that employed both of her parents in “the city” had folded soon after her father left for business in Asia. When Bear Creek Park gets closed due to mysterious, petty crimes, Nellie feels compelled to investigate. She feels closest to her dad when on the park’s swings, and she is more comfortable interviewing adults than befriending peers. Getting to know a plethora of characters through Nellie’s eyes is as much fun as watching Nellie blossom. Although astute readers will have guessed the park’s vandalizers, they are rewarded by observing Nellie’s fact-checking process. A late revelation about Nellie’s father does not significantly detract from this fully realized story of a young girl adjusting admirably to new circumstances. Nellie and her mother present white; secondary characters are diverse.

Nellie Bly’s contemporary namesake does her proud. (Fiction. 8-12)

Pub Date: March 10, 2020

ISBN: 978-0-7624-9685-3

Page Count: 208

Publisher: Running Press

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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