Vivid, thought-provoking stories make an enjoyable and challenging book.
An intriguing, wide-ranging story collection with a hint of magic.
The real and the surreal drive the 15 stories in this debut, many of which have been previously published in other formats. “Passeridae” is told from the perspective of cruise ship staff members hiding out in a linen closet after an armed attack on their ship. In “Ghosting,” a woman sees her weight loss drugs work while other pills do nothing to stem her mother’s increasing dementia. “Fuse” is narrated by one-half of a pair of conjoined twins, and “Strange Magic” features an opening line that immediately embodies the story title: “When Mary Ellen’s left breast grew back on its own during our Saturday dinner break, we had confirmation that something weird was happening.” Oddities continue in “Seven Minutes in Heaven,” in which wishes are granted to those who kiss, making it difficult for the narrator to avoid unwanted attention. The letters that make up “Billet-Doux” are struggling San Franciscan Liz’s imagined conversations with her job, her local bar, and the attractive man she sees on the train every day but never actually speaks to. Relatives handle family conflicts, scientists investigate natural and unnatural phenomena, and overlooked children take action throughout the book. The protagonists tell their stories from a wide variety of locations and circumstances, with common themes that unite the collection, and the author uses a narrative tone that is consistent across the stories while also allowing each story to develop a unique voice.
Wimmer is a strong writer and fills the pages with elegant, evocative phrasing (“We said words of respect in our native languages, which between the eight of us totaled fourteen gods and six words meaning ‘grace’ ”). Her tone is often wry (“Evelyn thought of her bed like a trapdoor spider, capturing the interest and monetary resources of her romantic partners”), and even the book’s most sardonic narrators balance their misanthropy with a touch of curiosity. The stories vary in length and format but retain a clear aesthetic sense throughout, making it easy to imagine that the characters from “Flarby” and “Intersomnolence” might someday cross paths. The work educates without being didactic; readers learn about Wisconsin bingo regulations and Waardenburg syndrome in “INGOB” and the properties of sphagnum moss in “The Bog King,” with the bits of trivia blending seamlessly into the tales. The far-from-superfluous details bring Wimmer’s characters to life and add a layer of authenticity, convincing readers that the author knows what she is talking about (whether the topic is used car salesmanship, roller rink playlists, or the duties of sleep lab technicians). The elements of magical realism are presented without fanfare, and Wimmer succeeds in creating a world where they are entirely plausible. Fans of Karen Russell, Veronica Schanoes, and Connie Willis are all likely to find stories to enjoy in the collection, as Wimmer blends traditional literary fiction with a touch of the fantastic.
Vivid, thought-provoking stories make an enjoyable and challenging book.Pub Date: Oct. 28, 2022
ISBN: 978-1-63768-058-2
Page Count: 160
Publisher: Autumn House Press
Review Posted Online: July 6, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Review Program: Kirkus Indie
PERSPECTIVES
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Readers who limit themselves to one story a night are in for a lot of sleepless nights.
Ardai celebrates the 20th anniversary of his publishing imprint, Hard Case Crime, by reprinting 20 of his own noir tales from 1990 to 2023.
Any collection this big is bound to be a mixed bag, but even the lesser stories here illuminate the formulas they depart from. “The Investigation of Things,” in which two Chinese brothers compete to solve the murder of a Buddhist monk, shows that Ardai’s gifts aren’t best suited to whodunits. The cancellation of a boy’s promised trip to see the circus in “The Day After Tomorrow” pushes Ardai’s ability to plot a short-short story to the limit. And “Nobody Wins,” which chronicles the gratuitously calamitous effects of a private eye’s search for his missing fiancee, has a title that would have been perfect for this whole volume. Ardai’s best stories walk a tightrope between noir fatalism and surprising invention. Some of them boast unsettlingly original premises. A fed pursues a doomed relationship with the grieving mother of a boy he arrested and got killed in “The Home Front”; “Game Over” follows a roll of quarters intended as a birthday gift; “My Husband’s Wife” showcases the coolly amoral voice of a conference attendee’s wife as she commits an escalating series of infractions. Other stories present endings bound to startle the most hard-bitten fans. “The Case” follows the adventures of a suitcase bomb that hasn’t (yet) exploded; a bodyguard’s search for a lubricious charge who’s disappeared from under his nose leads to a bloodbath in “Jonas and the Frail”; the man who hires a trio of contract killers in “Masks” turns out to have a shocking motive; and the ending of “A Free Man,” neatly balancing disillusionment and sentiment, provides a fitting close to the volume.
Readers who limit themselves to one story a night are in for a lot of sleepless nights.Pub Date: March 12, 2024
ISBN: 9781803366265
Page Count: 400
Publisher: Hard Case Crime
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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